An impassioned, disturbing and not-terribly-optimistic account of a continuing American crisis.

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WHAT GANGS TAUGHT ME ABOUT VIOLENCE, DRUGS, LOVE, AND REDEMPTION

Synthesis of memoir and polemical narrative from an expert on gangs, based on her research in the bloody trenches of Los Angeles.

Leap (UCLA Department of Social Welfare) has spent years evaluating the various gang-prevention and -intervention programs that have evolved in California since the 1980s. She notes that her credibility among gang members, academics and law enforcement developed because “I am willing to go anywhere and talk to anyone to learn about gangs…I am doing something beyond conventional research.” Yet her personal life became even more fraught when she married Mark Leap, a LAPD commander who initially epitomized the straight-arrow, anti-gangster police archetype. While Leap questions the tumultuous nature of their relationship and her own motivations, she is compelled by a passion derived from sheer grief at the waste and violence inherent in gang life. These complexities frame the discussion of the myths and labyrinthine realities of black and Latino gangs in California. She notes that while popular culture has simplified the topic to “Crips and Bloods,” the pervasive violence associated with gang culture remains prominent, as do persistent social pathologies such as drug abuse and domestic violence. Yet Leap views the young “homies” she encounters as lost souls fleeing impoverished childhoods, noting that “there is no typical gang member.” Meanwhile, “the LAPD has combined suppression with street intervention,” and both approaches remain controversial, with ambiguous results. Leap relies on her intellectual open-heartedness and her personal connections to see her through the many dangerous situations she encounters. Like the documentary The Interrupters, she focuses on the “interventionists”—reformed gangsters who attempt to curtail street violence. Leap’s writing is vibrant and approachable; although her personalized approach at times causes a loss of focus regarding her broader sociological narrative of urban gangs, the narrative is suffused with the authenticity of hard-won expertise. 

An impassioned, disturbing and not-terribly-optimistic account of a continuing American crisis.

Pub Date: March 6, 2012

ISBN: 978-0-8070-4456-8

Page Count: 240

Publisher: Beacon Press

Review Posted Online: Jan. 9, 2012

Kirkus Reviews Issue: Jan. 15, 2012

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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