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DEAR AMERICA

NOTES OF AN UNDOCUMENTED CITIZEN

An unusual firsthand report from the immigration wars.

As if to dare the attorney general to come find him, Philippines-born immigrant journalist Vargas, a winner of the Pulitzer Prize, owns up to being “illegal”—but not criminal.

As the author’s account opens and closes, he has been arrested in preparation for a “removal proceeding,” the consequence of his mother’s decision to put him on a plane with a supposed uncle and send him to the promised land of the United States at the age of 12 in 1993. That uncle was a smuggler, and the life Vargas found wasn’t all that it was supposed to be; neither did he have the papers—real ones, anyway—to support things like getting a driver’s license or going to the polls. Given the mood of the nation, which, as the author notes, officially no longer characterizes itself as “a nation of immigrants,” it’s understandable that he is perplexed and worried at his situation, perhaps less intuitively so that he should confess it in a book that almost certainly will not change many minds: Those opposed to immigration, illegal and legal, will dismiss his pleas, and those for it will share his indignation. Of more interest to readers on the middle ground, if there are any, is the author’s account of how few and technically complex the supposed paths for legal immigration are these days—and how easy it is to be deported. Thus he had to wrestle when, having appeared on-air to discuss his plea, he was invited by Nancy Pelosi to be her guest in Congress, an invitation that an immigration-lawyer friend urged him to decline: “It took .25 seconds for the Breitbart website to pull up 725 articles under the search ‘Jose Antonio Vargas.’ Breitbart runs immigration policy in the United States.” Though in fact detained, the author was released and now lives in a kind of legal limbo while waiting to see what, if anything, will happen.

An unusual firsthand report from the immigration wars.

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-285135-2

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Aug. 12, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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