A hard-won lesson in race relations and an appealing character study are the distinguishing features of the absorbing and entertaining latest from the author, Tristan and the Hispanics (1989), etc. Seventy-two-year-old widower Rudy Pardo, a retired fire chief, lives just ``uptown'' from Tampa's Latino community, a comfortable distance from his annoyingly helpful older sisters Lucinda (and her pathetic, unemployable son ``Little Stevie'') and ``liberal'' Connie (and her ``communist'' husband). When a black teenager tries to burgle Rudy's house, the old man perversely refuses police and family aid (``he would catch the dumb kid himself, teach him a lesson'')—and gets lucky when the thief returns, contrite, and eventually submits to his guardianship. Rudy's ensuing relationship with taciturn Munro Perkins, hesitant and suspicious as it is, makes up for the disappointments of Rudy's recent years: the losses of his beloved wife ``Shoogee'' and his twin brother Rafe (to whom he talks regularly, dead or not); the violent criminality that has swallowed up his estranged son Lenny; and the grating appearances of Little Stevie, timidly insisting that he should become his uncle's chosen new son. The plot is stretched paper-thin, and sentimentality is never far from the story's warmhearted surface. But Yglesias triumphs with his characterization of Rudy. He's grumpy, bigoted, more than a little absent-minded; his attitude toward blacks can best be described as redneck-condescending (``You could train them to do things like us. Bill Cosby and his wife did'')—and he's stubbornly, insistently alive (one imagines Rudy and Philip Roth's Mickey Sabbath hanging out on the front porch together bitching about the bygone good old days). In bringing this defiant old wreck to a recognition of what he has in common with a confused black kid, Yglesias has fashioned a novel that some may dismiss as simplistic; others, though, will discover that it both moves them and makes them think.
Pub Date: April 1, 1996
ISBN: 1-55885-095-3
Page Count: 226
Publisher: Arte Público
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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