A fast-paced international adventure featuring engaging characters.

THE PARIS PLOT

In Aragon’s debut thriller, a French official’s attempt to arrest the president of the United States for war crimes sparks a firefight in Paris.

President Leyland Childs is planning a trip to the French capital, and he wants Secret Service Special Agent Isabella “Izzy” Stone, who’s already saved his life once, to be there by his side. Childs intends to work with French President Amaury Jardin to ease tensions between their countries, which stem from a covert U.S. missile strike in Islamabad that was aimed at a wanted terrorist. Tragically, a group of French middle-school children on a trip to the city were killed in the explosion. An angry mob in Paris then attacked the U.S. embassy, which, in turn, led to fiery anti-France protests in America. After POTUS gets to Paris, local magistrate André Malevu, who abhors American influence on French traditions, issues an arrest warrant for Childs. This results in a violent confrontation between Secret Service agents and members of the French special forces. In order to get the president to safety, Izzy and her team must head into the subterranean maze of Paris’s catacombs. This exhilarating underground pursuit is only part of the story, however, and Aragon keeps up an impressive pace throughout the novel. Its short sentences and chapters are packed with intriguing details, such as French rioters’ treatment of American tourists: “On the Seine an American couple was thrown overboard from a tourist boat plying the river.” Izzy is shown to be astute and resourceful, and not even a potential suitor, Liam Cabot of the British Embassy, can sway her ever-present caution; she even calls in a background check during their first meeting. Her bond with Childs, however, is the story’s strongest relationship. An early scene, in which she protects him from an assassination attempt, ably establishes their trust and shows why she’s the one in charge of the presidential detail.

A fast-paced international adventure featuring engaging characters.

Pub Date: Nov. 21, 2016

ISBN: 978-0-9981612-0-4

Page Count: 456

Publisher: Oakhurst Print

Review Posted Online: May 15, 2017

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THE COLDEST WINTER EVER

Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect (1994), which mixes sexual history with political diatribe, is popular in schools country-wide. In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: he murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come. Thinness aside: riveting stuff, with language so frank it curls your hair. (Author tour)

Pub Date: April 1, 1999

ISBN: 0-671-02578-3

Page Count: 320

Publisher: Pocket

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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