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ROBERT PENN WARREN

A BIOGRAPHY

A competent but occasionally opaque biography of the Pulitzer Prizewinning poet and novelist. Some artists are done in by the bottle. Others fall to academia, economics, or indolence. But for Robert Penn Warren (190589) it was the sheer volume of his literary output—hundreds of poems, ten novels, several textbooks, and countless essays—that ultimately diminished his prodigious talent. Sometimes, particularly early on with novels such as All the King's Men or poems like ``Bearded Oaks,'' he managed to wring out almost- masterpieces. Too often, though, there was a feeling of exhaustion to his work, a dÇjÖ vu sense of old themes plumbed once too often. Blotner (Faulkner, 1984, etc.) would rank Warren here in the empyrean heights, but his case is not quite convincing. Nor is it helped by his slightly perfunctory treatment of Warren's novels or his failure to reach a full critical understanding of his subject. Blotner has fallen for the easy seduction of biography—the childhood on a Kentucky farm, the marriages, the travels, the maladies (Warren always seemed to be ill with something)— forgetting that the artist is almost nothing without the art. As a member of the Fugitives, one of the southern literary renaissance's more active offshoots, Warren did much to shape modern American literature, though more through his teaching and his groundbreaking critical work (with the scholar Cleanth Books) than his art. The southern literary network was characterized by logrolling friendships and a broad base of average talent surmounted by a few lofty geniuses (most notably Faulkner). Still, Blotner has done a great deal of research and deployed it subtly, and we should welcome any biography that looks beyond the colossus of Faulkner to remind us of the South's enormous modern literary vitality. (16 pages b&w photos, not seen)

Pub Date: Feb. 1, 1997

ISBN: 0-394-56957-1

Page Count: 544

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1996

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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