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THE BRIDGE CLUB

An enjoyable, if slightly implausible, account of four friends who face unimaginable tragedies yet maintain their sense of...

In this novel by a forensic and rehabilitation psychologist, four women cope with serious challenges during their journey from college to grandmotherhood.

Sarah Brightenham awakens from her coma to find a strange woman in a candy striper uniform in her hospital room claiming to be awaiting the arrival of the patient’s sister. Nicole Fielding, as it turns out, is in the same literature class as Sarah and is eager to prevent her from being forced to enter the psychiatric ward after her overdose. Nicole enlists the help of Rebecca Trumble to pretend to be Sarah’s sister and caretaker. Nicole and Rebecca introduce Sarah to another friend, Clair Coleman. As the four women share their stories and plot revenge on football player Bo, who raped Sarah (precipitating her suicide attempt), they forge a friendship that will last throughout their lives. As each woman encounters a life-altering event, their bond deepens as the other three help her through the catastrophe. Eventually, they add husbands and children to their group, with Clair’s and Sarah’s families later united through marriage. All four women are successful in their chosen fields. But Clair’s three cohorts find her obsessive mothering alternately annoying and lifesaving, as her common-sense approach helps Rebecca discover the truth behind a psychotic break. The engrossing tale concludes as the four women travel first to New York City and then England together to find closure to the biggest crises they have dealt with. The character development is slow in Cools’ (Sometimes a Father, 2017, etc.) novel. With the exception of Sarah, whose story is the first one to be told, the other three women are virtually indistinguishable until they become the focus of the narrative. Even then, Rebecca’s and Nicole’s tales (attempted murder by a vengeful former boss, and the amputation of a foot due to diabetes, respectively) pale in comparison to Sarah’s and Clair’s gripping stories of abuse and loss. Some of the dialogue among the women is too contrived and unrealistic while the endlessly supportive yet one-dimensional spouses stretch credulity (perhaps because all four are improbable dream husbands).

An enjoyable, if slightly implausible, account of four friends who face unimaginable tragedies yet maintain their sense of fun.

Pub Date: March 29, 2014

ISBN: 978-1-4960-5684-9

Page Count: 362

Publisher: CreateSpace

Review Posted Online: April 23, 2018

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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