by Joseph Cools ‧ RELEASE DATE: March 29, 2014
An enjoyable, if slightly implausible, account of four friends who face unimaginable tragedies yet maintain their sense of...
In this novel by a forensic and rehabilitation psychologist, four women cope with serious challenges during their journey from college to grandmotherhood.
Sarah Brightenham awakens from her coma to find a strange woman in a candy striper uniform in her hospital room claiming to be awaiting the arrival of the patient’s sister. Nicole Fielding, as it turns out, is in the same literature class as Sarah and is eager to prevent her from being forced to enter the psychiatric ward after her overdose. Nicole enlists the help of Rebecca Trumble to pretend to be Sarah’s sister and caretaker. Nicole and Rebecca introduce Sarah to another friend, Clair Coleman. As the four women share their stories and plot revenge on football player Bo, who raped Sarah (precipitating her suicide attempt), they forge a friendship that will last throughout their lives. As each woman encounters a life-altering event, their bond deepens as the other three help her through the catastrophe. Eventually, they add husbands and children to their group, with Clair’s and Sarah’s families later united through marriage. All four women are successful in their chosen fields. But Clair’s three cohorts find her obsessive mothering alternately annoying and lifesaving, as her common-sense approach helps Rebecca discover the truth behind a psychotic break. The engrossing tale concludes as the four women travel first to New York City and then England together to find closure to the biggest crises they have dealt with. The character development is slow in Cools’ (Sometimes a Father, 2017, etc.) novel. With the exception of Sarah, whose story is the first one to be told, the other three women are virtually indistinguishable until they become the focus of the narrative. Even then, Rebecca’s and Nicole’s tales (attempted murder by a vengeful former boss, and the amputation of a foot due to diabetes, respectively) pale in comparison to Sarah’s and Clair’s gripping stories of abuse and loss. Some of the dialogue among the women is too contrived and unrealistic while the endlessly supportive yet one-dimensional spouses stretch credulity (perhaps because all four are improbable dream husbands).
An enjoyable, if slightly implausible, account of four friends who face unimaginable tragedies yet maintain their sense of fun.Pub Date: March 29, 2014
ISBN: 978-1-4960-5684-9
Page Count: 362
Publisher: CreateSpace
Review Posted Online: April 23, 2018
Review Program: Kirkus Indie
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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