A highly efficient thriller combining state-of-the-art corporate malfeasance with the old-fashioned kind. You can almost...

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COMPANY MAN

A Michigan furniture company CEO’s desperate bid to avoid losing control of his firm takes a back seat (or does it?) to murder most foul.

Ever since he laid off 5,000 employees—half of Stratton Corporation’s workforce—in response to a mandate from Stratton’s new owner, Fairfield Equity, everyone in Fenwick has hated “the Slasher,” Nicholas Conover. But nobody hates him more than the nutcase who’s been breaking into his gated community, scrawling threatening graffiti inside his house, and most recently eviscerating the family dog. His nerves already frayed by his wife Laura’s accidental death and his defiant teenage son, Nick gets his old hockey friend Eddie Rinaldi, now Stratton’s security chief, to install a state-of-the-art burglar alarm in the house Laura picked out not long before she died. The alarm works all too well. It’s been in place only a few days when it summons Nick to a confrontation with an intruder he shoots dead. In one of the few unbelievable moments in this adroitly plotted tale, Nick’s old buddy Eddie persuades him to hide the corpse, and from that moment on, Nick watches in anguish as Det. Audrey Rhimes closes in on the truth inch by inch. Or he would watch if he weren’t frantically trying to balance the day-by-day demands of his hurting kids with the need to do something about his suspicion that Fairfield Equity is isolating him, doing an end run around his America-first policies, and getting ready to sell him down the river—presumably to the unanimous cheers of his friends and neighbors. These headaches may not sound like enough plot for 500 pages, but Finder expertly doles out the suspense and comes up with a climactic twist altogether more plausible and satisfying than the last-minute revelation in Paranoia (2004).

A highly efficient thriller combining state-of-the-art corporate malfeasance with the old-fashioned kind. You can almost hear the movie cameras grinding away.

Pub Date: April 19, 2005

ISBN: 0-312-31916-9

Page Count: 528

Publisher: St. Martin's

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Feb. 1, 2005

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Now that Coben’s added politics to his heady brew, expect sex and religion to join the mix.

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THE BOY FROM THE WOODS

Coben’s latest darkest-suburbs thriller sets a decidedly offbeat detective on the trail of a crime with overtones unmistakably redolent of once and future presidential elections.

Wilde is called Wilde because nobody’s known his real name from the moment a pair of hikers found him foraging for himself in Ramapo Mountain State Forest 24 years ago. Now over 40, he’s had experience as both a lost boy and a private investigator. That makes him an obvious person to help when his godson, Sweet Water High School student Matthew Crimstein, expresses concern to his grandmother, attorney Hester Crimstein, that his bullied classmate Naomi Pine has gone missing. Matthew doesn’t really want anyone to help. He doesn’t even want anyone to notice his agitation. But Hester, taking the time from her criminal defense of financial consultant Simon Greene (Run Away, 2019) to worm the details out of him, asks Wilde to lend a hand, and sure enough, Wilde, unearthing an unsavory backstory that links Naomi to bullying classmate Crash Maynard, whose TV producer father, Dash Maynard, is close friends with reality TV star–turned–presidential hopeful Rusty Eggers, finds Naomi hale and hearty. Everything’s hunky-dory for one week, and then she disappears again. And this time, so does Crash after a brief visit to Matthew in which he tearfully confesses his guilt about the bad stuff he did to Naomi. This second disappearance veers into more obviously criminal territory with the arrival of a ransom note that demands, not money, but the allegedly incriminating videotapes of Rusty Eggers that Dash and Delia Maynard have had squirreled away for 30 years. The tapes link Rusty to a forgotten and forgettable homicide and add a paranoid new ripped-from-the-headlines dimension to the author’s formidable range. Readers who can tune out all the subplots will find the kidnappers easy to spot, but Coben finds room for three climactic surprises, one of them a honey.

Now that Coben’s added politics to his heady brew, expect sex and religion to join the mix.

Pub Date: March 17, 2020

ISBN: 978-1-5387-4814-5

Page Count: 432

Publisher: Grand Central Publishing

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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