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There's the Rub

An intriguing novel about the birth of the motion picture industry, as seen through the eyes of a young man striving to...

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A debut historical novel set amid the glamour of old Hollywood.

Jimmy “J.J.” Johnson grew up on the vaudeville circuit, learning the art of entertaining crowds from his performer parents. From the age of 5, however, Jimmy has been haunted by the image of his mother waving frantically from a train platform as it recedes into the distance. His father, Reed, continues on the vaudeville circuit with Jimmy and his younger brother Russell, but after the vaudeville act turns sour, Jimmy goes out West into the arms of the nascent motion picture industry. Along the way, Jimmy learns how to repair two machines that are changing the world: the automobile and the motion picture camera. But when a mishap in a delivery truck leaves him jobless, he takes work as an extra on the set of D.W. Griffith’s Intolerance. Jimmy quickly realizes that, as the grandson of freed slaves, he can’t stomach the director responsible for The Birth of a Nation. However, the camera and the stage provide Jimmy’s livelihood, and they become the means by which he breaks into a transformative art—and reunites his shattered family. The novel’s historical setting comes to life with detailed references to 1910s Hollywood, from the intensive artwork of Griffith’s sets to the lower-budget yet groundbreaking work of actors such as Charlie Chaplin and producers such as Noble Johnson, founder of the Lincoln Motion Picture Company. Although the novel sometimes moves a bit too quickly to do justice to the intensity of its plot, its rich detail and the mystery of Jimmy’s mother’s disappearance, make for an engrossing read. Humbert also includes photos of real-life historical characters and movie sets to round out the narrative.

An intriguing novel about the birth of the motion picture industry, as seen through the eyes of a young man striving to strike it big.

Pub Date: May 22, 2013

ISBN: 978-1469956923

Page Count: 288

Publisher: CreateSpace

Review Posted Online: June 26, 2013

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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