A penetrating, incisive biography of the young but already legendary filmmaker. Perhaps nothing reveals the importance of Spielberg (Schindler's List, Close Encounters of the Third Kind, etc.) at this moment in film history more than that this is the second full- scale work on the artist in as many months (see John Baxter, p. 181). But there is no contest. McBride, the author of Frank Capra: The Catastrophe of Success (1992), a landmark in film biography, leaves Baxter in the dust. McBride combines extensive research into Spielberg's life with lucid, well-considered analyses of his films, discovering in them a depth and originality that will surprise even Spielberg's greatest fans. McBride devotes nearly half the book to a consideration of Spielberg's childhood and his early evolution as an artist. He patiently debunks many of the myths generated by Spielberg himself and examines the ways in which his troubled early years manifest themselves in his work. For example, McBride demonstrates that the filmmaker's relationship with his eccentric mother and frequently absent father are reflected in even such apparently impersonal work as the Indiana Jones movies. Then McBride details the making of each of Spielberg's films and critiques them with vivid insight. His impassioned defense of such problematic works as The Color Purple and Empire of the Sun make the reader want to see them again. If, in the book's second half, the public persona dominates the private life, that's an accurate reflection of a man who increasingly seems to exist most fully and comfortably in his work. McBride leaves Spielberg as he, David Geffen, and Jeffrey Katzenberg establish a new studio, DreamWorks. Film history at its best: rich in information, often dazzling in perception. (16 pages b&w photos, not seen)
Pub Date: May 1, 1997
ISBN: 0-684-81167-7
Page Count: 528
Publisher: Simon & Schuster
Review Posted Online: April 23, 2011
Kirkus Reviews Issue: Feb. 15, 1997
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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