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CLOUDLAND

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In this refreshingly cliché-free serial-killer tale, Olshan tries his hand with a female narrator/heroine, whom he handles just as deftly as his sensitive male heroes (The Conversion, 2008, etc.).

Two-and-a-half years and five corpses after Tammy Boucher was stabbed to death in New England’s River Valley, police in Vermont, New Hampshire and Massachusetts still don’t have any idea who’s killing these women or why. The forensic evidence is hopeless, and the discovery of Seventh-Day Adventist tracts on some of the victims hardly seems to rise to the level of a clue. After she discovers the sixth victim, long-missing nurse Angela Parker, buried in the thawing snow, Catherine Winslow, a former investigative reporter who’s retreated to Vermont to write a syndicated column of household hints, finds herself drawn into the case and is soon resisting the suggestions of Springfield-based Det. Marco Prozzo, who’s evidently intent on pinning the crimes on knacker Hiram Osmond or painter Paul Winter’s adopted son Wade. Prozzo doesn’t seem to notice several more inviting suspects, from Dr. Anthony Waite, the troubled psychiatrist who’s helping with the investigation, to Matthew Blake, the former college student who’d been Catherine’s lover and is now conveniently returned from Thailand, where he said he’d gone to forget her. Although all these chilly, hurting souls are well worth your time, the real keeper is Catherine, still grieving the death of the husband she’d divorced and the loss of the younger lover she’d pushed away. Even as you wonder who the killer will turn out to be, you’ll worry mainly about how she’s going to come through all this.

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Pub Date: April 10, 2012

ISBN: 978-0-250-00017-0

Page Count: 304

Publisher: Minotaur

Review Posted Online: Feb. 15, 2012

Kirkus Reviews Issue: March 1, 2012

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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