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THURSDAY'S CHILD

An entertaining tale about perseverance that is perhaps better classified as a satisfying mystery than a romance.

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An up-and-coming attorney meets a mysterious man and begins to question the life she has built for herself in this suspenseful story.

Novelist Wurtenbaugh’s (A Prophet Without Honor, 2017, etc.) tale opens as junior legal associate Adele Jansen is staffed on a high-profile matter at the law firm where she has been making a name for herself. Her slight build and youthful appearance cause her to be underestimated, but Adele continually outpaces her male peers. Everything changes when one of the firm’s clients, a publishing company, seeks Adele’s help in communicating with a potentially uncooperative author. When Adele meets Tom Newcombe, the author in question, sparks fly. After a meeting filled with deep discussion about esoteric intellectual topics, Adele is irrevocably smitten. But she questions whether there is any room in her life and career for a relationship. As she begins to think of Tom as her true priority, she learns he has disappeared, seemingly without a trace. Worse yet, Tom’s few acquaintances that Adele locates warn her to avoid him. Adele doesn’t believe that Tom could be bad news, and thus she begins a quest to discover as much as possible about the real Tom Newcombe. When answers finally emerge, will Adele be able to accept them? By doling out mysterious drips and drabs about Newcombe’s past, the author successfully builds tension in the story that increases steadily. Wurtenbaugh also provides many interesting details about a wide array of ancillary subjects, ranging from office politics and art to computer programming and mathematical theory. Although these oft-gratuitous, extensive details become cumbersome, impeding what is otherwise a fast-paced narrative, the story is redeemed by the many vivid and engrossing scenes of Adele’s astute sleuthing. By offering readers just the right kinds of clues about Tom as the truth slowly unfurls, Wurtenbaugh delivers an absorbing tale about checkered pasts and new commitments.

An entertaining tale about perseverance that is perhaps better classified as a satisfying mystery than a romance.

Pub Date: March 1, 2018

ISBN: N/A

Page Count: 826

Publisher: CreateSpace

Review Posted Online: March 18, 2018

Kirkus Reviews Issue: May 1, 2018

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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