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THURSDAY'S CHILD

An entertaining tale about perseverance that is perhaps better classified as a satisfying mystery than a romance.

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An up-and-coming attorney meets a mysterious man and begins to question the life she has built for herself in this suspenseful story.

Novelist Wurtenbaugh’s (A Prophet Without Honor, 2017, etc.) tale opens as junior legal associate Adele Jansen is staffed on a high-profile matter at the law firm where she has been making a name for herself. Her slight build and youthful appearance cause her to be underestimated, but Adele continually outpaces her male peers. Everything changes when one of the firm’s clients, a publishing company, seeks Adele’s help in communicating with a potentially uncooperative author. When Adele meets Tom Newcombe, the author in question, sparks fly. After a meeting filled with deep discussion about esoteric intellectual topics, Adele is irrevocably smitten. But she questions whether there is any room in her life and career for a relationship. As she begins to think of Tom as her true priority, she learns he has disappeared, seemingly without a trace. Worse yet, Tom’s few acquaintances that Adele locates warn her to avoid him. Adele doesn’t believe that Tom could be bad news, and thus she begins a quest to discover as much as possible about the real Tom Newcombe. When answers finally emerge, will Adele be able to accept them? By doling out mysterious drips and drabs about Newcombe’s past, the author successfully builds tension in the story that increases steadily. Wurtenbaugh also provides many interesting details about a wide array of ancillary subjects, ranging from office politics and art to computer programming and mathematical theory. Although these oft-gratuitous, extensive details become cumbersome, impeding what is otherwise a fast-paced narrative, the story is redeemed by the many vivid and engrossing scenes of Adele’s astute sleuthing. By offering readers just the right kinds of clues about Tom as the truth slowly unfurls, Wurtenbaugh delivers an absorbing tale about checkered pasts and new commitments.

An entertaining tale about perseverance that is perhaps better classified as a satisfying mystery than a romance.

Pub Date: March 1, 2018

ISBN: N/A

Page Count: 826

Publisher: CreateSpace

Review Posted Online: March 18, 2018

Kirkus Reviews Issue: May 1, 2018

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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