by Joseph Wurtenbaugh ‧ RELEASE DATE: June 12, 2017
A masterful exercise in historical hypothesis.
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A historical novel that imagines an alternative ending to World War II.
In 1936, Adolf Hitler boldly ordered the invasion of Western Germany—an undertaking so risky that even his own army’s general staff strongly opposed it. At the time, the German military was in a diminished state and vulnerable to attack by superior forces, but the British and French were caught unaware when the invasion order was given. Many historians have wondered whether much of the bloodshed of World War II could have been avoided if the Allied powers had swiftly responded to this act of aggression. Wurtenbaugh (Newton in the New Age, 2012, etc.) explores precisely this possibility in the novel, in which a young German officer, Lt. Karl von Haydenreich, contacts Dwight D. Eisenhower, then a major in the U.S. Army and a long-standing friend of the family, with stolen documents containing classified military information. The author not only tells the story of the war, but also of von Haydenreich’s life, entirely through excerpted books, journals, correspondence, and periodicals, all fictional—a quilt of information that, stitched together, forms a fully coherent, if unsettled, narrative. Von Haydenreich’s mother died when he was young, and he was raised by a stepmother whose relationship with his father was scandalous. His family were Bavarian nobility and rabid anti-Semites, and as a young man, Von Haydenreich was impressed by Hitler. His father disabused him of his infatuation, and he went on to become a serious student of music, but he eventually quit his studies and joined the Reichswehr. Wurtenbaugh’s account is stunningly original, and he plausibly conjures a remarkably full vision of alternative history. Haydenreich is a beautifully drawn character, rich and complex, and the author allows readers considerable latitude in interpreting his motives. Some of the excerpts presented depict Haydenreich as a hero, some as a traitor, and the author wisely shows great restraint by refusing to offer any narrative commentary that definitively nudges readers toward one option or the other. Wurtenbaugh not only conjures a new historical universe, but also a contentious world of scholarship about it, and he invites readers to join in the dispute. His effort is reminiscent of Philip Roth’s 2004 novel The Plot Against America, as both are wildly imaginative and historically grounded. Most importantly, this book humanizes a global tragedy, making its main character’s inner conflict a microcosm of a nation’s intramural disputes. The entire Von Haydenreich family is memorably, fascinatingly dysfunctional, and the author slowly unfurls his protagonist’s plight in a way that seems fragilely contingent and inexorably fated. One minor criticism is that it would have been better if the author didn’t begin the novel with a prefatory note in his own name, and a concluding historical one. The power of the novel is in the immersive experience it offers, and these two invitations to stand outside the fictional cosmos feel unnecessary and diminishing. Nevertheless, this is an impressive work, as bold as it is meticulous.
A masterful exercise in historical hypothesis.Pub Date: June 12, 2017
ISBN: N/A
Page Count: 604
Publisher: CreateSpace
Review Posted Online: Aug. 7, 2017
Review Program: Kirkus Indie
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BOOK REVIEW
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Max Brooks
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BOOK TO SCREEN
by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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