by Joseph Wurtenbaugh ‧ RELEASE DATE: June 12, 2017
A masterful exercise in historical hypothesis.
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A historical novel that imagines an alternative ending to World War II.
In 1936, Adolf Hitler boldly ordered the invasion of Western Germany—an undertaking so risky that even his own army’s general staff strongly opposed it. At the time, the German military was in a diminished state and vulnerable to attack by superior forces, but the British and French were caught unaware when the invasion order was given. Many historians have wondered whether much of the bloodshed of World War II could have been avoided if the Allied powers had swiftly responded to this act of aggression. Wurtenbaugh (Newton in the New Age, 2012, etc.) explores precisely this possibility in the novel, in which a young German officer, Lt. Karl von Haydenreich, contacts Dwight D. Eisenhower, then a major in the U.S. Army and a long-standing friend of the family, with stolen documents containing classified military information. The author not only tells the story of the war, but also of von Haydenreich’s life, entirely through excerpted books, journals, correspondence, and periodicals, all fictional—a quilt of information that, stitched together, forms a fully coherent, if unsettled, narrative. Von Haydenreich’s mother died when he was young, and he was raised by a stepmother whose relationship with his father was scandalous. His family were Bavarian nobility and rabid anti-Semites, and as a young man, Von Haydenreich was impressed by Hitler. His father disabused him of his infatuation, and he went on to become a serious student of music, but he eventually quit his studies and joined the Reichswehr. Wurtenbaugh’s account is stunningly original, and he plausibly conjures a remarkably full vision of alternative history. Haydenreich is a beautifully drawn character, rich and complex, and the author allows readers considerable latitude in interpreting his motives. Some of the excerpts presented depict Haydenreich as a hero, some as a traitor, and the author wisely shows great restraint by refusing to offer any narrative commentary that definitively nudges readers toward one option or the other. Wurtenbaugh not only conjures a new historical universe, but also a contentious world of scholarship about it, and he invites readers to join in the dispute. His effort is reminiscent of Philip Roth’s 2004 novel The Plot Against America, as both are wildly imaginative and historically grounded. Most importantly, this book humanizes a global tragedy, making its main character’s inner conflict a microcosm of a nation’s intramural disputes. The entire Von Haydenreich family is memorably, fascinatingly dysfunctional, and the author slowly unfurls his protagonist’s plight in a way that seems fragilely contingent and inexorably fated. One minor criticism is that it would have been better if the author didn’t begin the novel with a prefatory note in his own name, and a concluding historical one. The power of the novel is in the immersive experience it offers, and these two invitations to stand outside the fictional cosmos feel unnecessary and diminishing. Nevertheless, this is an impressive work, as bold as it is meticulous.
A masterful exercise in historical hypothesis.Pub Date: June 12, 2017
ISBN: N/A
Page Count: 604
Publisher: CreateSpace
Review Posted Online: Aug. 7, 2017
Review Program: Kirkus Indie
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BOOK REVIEW
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Max Brooks
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BOOK TO SCREEN
by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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195
New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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