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EXTINCTIONS

A really fine, deeply intelligent book with so much to think about and so much unexpected hope.

A stodgy, miserable, retired engineering professor in an Australian senior village finds that his world, seemingly in the last stages of crumbling into nothingness, is completely reinvented.

Winner of the 2017 Miles Franklin Literary Award, a prestigious Australian prize, Wilson's (Cusp, 2005) quiet, gorgeously put-together novel opens by introducing professor Frederick Lothian, a rather unlikable man spending what seems to be the last scene of his final act in a detestable "villa" into which he has stuffed the detritus of his life. A partial inventory: a tubular Breuer chair, a Braun turntable, Saarinen tulip chairs and matching oval table, a million memories of bridges, airport terminals, skyscrapers, and blueprints, the remains of a lifelong obsession with form and function. (Images of many of these things are reproduced in the text.) Also crowding the scene are unwashed dishes, abandoned meals, and more painful memories than it seems possible to bear, all founded on a childhood tragedy which remains buried until the end of the book. Having had a beautiful, kind, infinitely tolerant wife, Martha, and two fine children, Lothian has lost them all, Martha to death, his grown daughter and son in other ways. He has done everything possible to avoid meeting his neighbors, but whether he likes it or not, the green-eyed woman next door with the dozens of annoying pet birds is coming into his life. Jan is a fantastic character, and it will take all the wit, insight, patience, and, ultimately, exasperation she can muster to pry this old nut from his shell. The metaphorical layering with regard to extinctions—the ends of things—is beautifully accomplished, and a wide variety of other interesting matters—the treatment of women in engineering school and patriarchal families, of Aboriginals in Australian society, of old people in retirement villages—engages as well. The various sad backstory details about old deaths, betrayals, and other wounds are teased out slowly and patiently, but that momentum is no greater than the more uplifting one: the unforeseen, truly magical opening of possibilities for growth, change, reconciliation, happiness.

A really fine, deeply intelligent book with so much to think about and so much unexpected hope.

Pub Date: Nov. 20, 2018

ISBN: 978-1-947793-08-8

Page Count: 370

Publisher: Tin House

Review Posted Online: Aug. 20, 2018

Kirkus Reviews Issue: Sept. 15, 2018

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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