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THE SIBERIA JOB

A colorful depiction of recent history wrapped in a comic caper. Think Donald Westlake with a Slavic accent.

In post-Soviet Russia, a get-rich-quick scheme proves too good to be true—and deadly, to boot.

June 2, 1994. Businessman John Mills, sick of London, sick of banking, and homesick for Texas and his family, abruptly quits his job with an investment bank and buys a plane ticket to Dallas. But a chance airport encounter with slick Czech Petr Kovac turns his life upside down and takes him on a wild and sometimes scary escapade. Following a Czech model, the new Russian government has privatized industry and distributed vouchers of partial ownership to citizens. Buying up the Czech vouchers from clueless fellow countrymen has made Petr rich, and now he plans to do the same thing in Russia. Petr downplays the potential dangers: Their efforts make them business partners with Bratya (that is, Mafia), who manufacture counterfeit cigarettes, but no worries. Shrewd Russian beauty Anna Scherbatskaya proves a helpful guide and romantic partner for Petr. The rocky road to wealth untold takes the trio through hedonistic night spots, a forest bordello, and a series of oligarchs demanding their share. The most engaging aspect of this caper, which is based on a true story, is its depiction of this bizarre moment in recent Russian history. Haven, who describes post-Soviet Russia as “the Wild Wild West of the East,” makes his protagonist a keen and often wide-eyed observer and invites readers to make their own judgments. The tale slides smoothly from adventure to culture-clash drollery to tense crime yarn.

A colorful depiction of recent history wrapped in a comic caper. Think Donald Westlake with a Slavic accent.

Pub Date: June 6, 2023

ISBN: 9781613164075

Page Count: 384

Publisher: Mysterious Press

Review Posted Online: March 13, 2023

Kirkus Reviews Issue: April 1, 2023

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HOPE RISES

Filled with action, violence, and more twists than a bag of pretzels.

Second of the Walter Nash thrillers—following Nash Falls (2025)—in which the remade hero seeks vengeance.

Due to urgent circumstances, Nash has bulked himself up to become the “muscled and tatted fighting machine” now known as Dillon Hope. His antagonist is Victoria Steers, a global drug dealer who wants him dead. Not realizing his new identity, she enlists Hope to free her mother, Masuyo, from a prison in Myanmar. As an incentive, she shoots one of her associates and threatens to frame Hope for the murder unless he complies. She also wants him to find Nash. He in turn wants to kill Victoria to avenge the death of his innocent daughter, Maggie. “If I go down,” he muses, “I’m taking others with me. Starting with Victoria Steers.” He learns that Victoria had killed all her siblings to eliminate business competition. But as heartless as Victoria is, her mother, Masuyo, is even worse. In league with the Chinese government in a perverse plan to kill as many Americans as possible through fentanyl overdose, she shows contempt for Victoria for her perceived weaknesses. Readers won’t find many happy family relationships here: mother-daughter, father-son, husband-wife—all fraught. Hope’s employer, who accompanies him to Myanmar, is a billionaire chief executive with a dodgy past (i.e., probably killed his father). And there’s a mega-billionaire with an astronomical IQ and ditch-deep morals who, putting it mildly, does not have America’s best interests at heart. As a teenager, he’d defeated two world chess champions; as an adult, he regards his dealings with the world in terms of master chess moves. Only one character seems truly decent and credible—Hiroko, Victoria’s former nanny and lifelong companion, who provides Hope with valuable insights into the Steers’ background, which is partly Chinese. Searing grudges, simple evil, and not-so-simple misunderstandings carry the cast through this complex, action-packed plot. This sequel ties out the loose ends dangling in Nash Falls, which would be helpful to read first. To get to the requisite ending, though, Baldacci takes pains to surprise the reader. It works but often feels forced.

Filled with action, violence, and more twists than a bag of pretzels.

Pub Date: April 14, 2026

ISBN: 9781538758021

Page Count: 416

Publisher: Grand Central Publishing

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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A DEADLY EPISODE

Yes, it has its playfully witty moments, but it’s a distinctly minor work in the author’s brainteasing canon.

Murder disrupts the filming of—what else?—The Word Is Murder, based on the first novel starring author Horowitz and his sometime partner, ex-copper Daniel Hawthorne.

With commendably dramatic timing, gofer Izzy Mays bursts into the middle of a pivotal shot on location at The Stade in Hastings to announce that Hawthorne’s been murdered. Of course, what she means (though Horowitz takes his time clarifying this ambiguity) is that David Caine, the rising star playing Hawthorne, has been fatally stabbed in the neck. Suspicion falls on James Aubrey, the agent Caine had just fired; Izzy, because Caine had caused her to be fired, too, though he ended up making his exit first; Ralph Seymour, the washed-up actor who’d returned from New Zealand to play Horowitz opposite Caine, his mortal enemy; and producer Teresa de León, who’s abruptly lost an important source of funding for the project; director Cy Truman; and screenwriter Shanika Harris, because why not? After Hawthorne builds meticulous hypothetical cases against several of these suspects, provoking Teresa’s apt rejoinder, “All those questions in the script and now you’re asking them for real,” he responds to Horowitz’s theory that he may have been the intended target after all by sharing a story from his early days as a private investigator in what ends up looking like the most elaborately extended red herring in the history of detective fiction. The two plots, past and present—or, to be more precise, past and present-day-adaptation-of-a-story-from-the-less-distant-past, are eventually woven together in ways only Horowitz’s most devoted fans will celebrate.

Yes, it has its playfully witty moments, but it’s a distinctly minor work in the author’s brainteasing canon.

Pub Date: April 28, 2026

ISBN: 9780063305748

Page Count: 608

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 19, 2026

Kirkus Reviews Issue: Feb. 15, 2026

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