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BEAR-SUIT MOZART

The plot is thin, but fun characters and sharp writing make Starbuck’s novel a worthy read.

Awards & Accolades

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In this snappy sci-fi debut, artificial intelligence is real and its fate lies in the comically clumsy hands of two investigative journalists.

Eight years have passed since the passage of Sherlock’s Laws, which banned the development of artificial intelligence following public outcry at the debut of a self-aware robot. Journalist Robert Merek, frustrated by his investigation into a major technology corporation’s unethical research, receives a tip from an insider: The company’s top R&D researcher, who also happens to have been the brains behind the original Sherlock robot, has gone missing. Allison, the CEO’s assistant, fears foul play. Robert and his goofy freelancing partner, Leonard, jump at the chance for a career-making scoop. Alongside Allison, they leap into a scattershot day of investigating the company’s murky dealings. Starbuck writes with an intentionally prominent authorial presence, starting the book off with a self-conscious note about intention and structuring the narrative as a collage of sections with titles such as “The Inciting Incident,” “Intermission” and “The Falling Action.” Characters and concepts remain only lightly developed and sometimes implausible. The book springs from one familiar trope to the next—the discovery of the wrecked apartment, the break-in at the robotics lab, etc.—but the book riffs playfully on these sci-fi clichés more than it falls prey to them, creating a delightfully skewed reality that reads like a long, consistently entertaining inside joke. Upon entering his enemy’s drab headquarters, Leonard—the quintessential bumbling sidekick, who bases his every move on scenes from his favorite spy movies—thinks: “They weren’t even located in the mouth of an active volcano, for Christ’s sake! Some villains these guys were.” The author’s light touch also makes the sudden gravity of the book’s final act all the more effective; seeing the heroes stuck in a patch of moral ambiguity is a stark contrast to their previously cartoonish adventures.

The plot is thin, but fun characters and sharp writing make Starbuck’s novel a worthy read.

Pub Date: Feb. 22, 2012

ISBN: B007JNJ9IU

Page Count: 164

Publisher: Smashwords

Review Posted Online: March 13, 2012

Kirkus Reviews Issue: April 1, 2012

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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THE SHINING

A presold prefab blockbuster, what with King's Carrie hitting the moviehouses, Salem's Lot being lensed, The Shining itself sold to Warner Bros. and tapped as a Literary Guild full selection, NAL paperback, etc. (enough activity to demand an afterlife to consummate it all).

The setting is The Overlook, a palatial resort on a Colorado mountain top, snowbound and closed down for the long, long winter. Jack Torrance, a booze-fighting English teacher with a history of violence, is hired as caretaker and, hoping to finish a five-act tragedy he's writing, brings his wife Wendy and small son Danny to the howling loneliness of the half-alive and mad palazzo. The Overlook has a gruesome past, scenes from which start popping into the present in various suites and the ballroom. At first only Danny, gifted with second sight (he's a "shiner"), can see them; then the whole family is being zapped by satanic forces. The reader needs no supersight to glimpse where the story's going as King's formula builds to a hotel reeling with horrors during Poesque New Year's Eve revelry and confetti outta nowhere....

Back-prickling indeed despite the reader's unwillingness at being mercilessly manipulated.

Pub Date: Jan. 28, 1976

ISBN: 0385121679

Page Count: 453

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: Jan. 1, 1976

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