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JUST DON’T FALL

HOW I GREW UP, CONQUERED ILLNESS, AND MADE IT DOWN THE MOUNTAIN

A simple, straightforward story that successfully captures the complexities of growing up under the shadow of cancer.

From Paralympic skier Sundquist, an absorbing debut memoir about conquering nearly insurmountable odds.

At the age of nine, the author was diagnosed with Ewing’s sarcoma, which resulted in the amputation of his left leg at the hip. While he endured the unimaginable—the loss of a limb, a year-long stint of chemotherapy and the possibility that his cancer had returned—his narrative covers events that will be surprisingly familiar to most. His intimate encounters with cancer and its life-altering consequences form the backbone, but the story is really about a boy becoming a man, experiencing the trials, insecurities, rejections, triumphs and transformative realizations. Sundquist chronicles his diagnosis, surgery and treatment; he enumerates his fears, which have less to do with his amputation and being “normal” and more to do with meeting girls, making friends and finding purpose; he discusses the transformation of his family over the years, particularly that of his brother; he articulates the evolution of his faith. Compellingly, the author’s voice matures along with his childhood and adolescent self. Sundquist’s account of his battle with cancer and subsequent quest for the Paralympic ski team gives insight into a boy’s raw, honest experience as it occurs; the reader experiences the author’s boyhood as he did. The beginning is a little rocky, providing little exposition or context, but the author quickly reaches a steady stride that will keep readers transfixed.

A simple, straightforward story that successfully captures the complexities of growing up under the shadow of cancer.

Pub Date: Jan. 25, 2010

ISBN: 978-0-670-02146-8

Page Count: 324

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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