A twisty time hop that never fully escapes the shadow of its influences.
An attempt on her partner’s life forces a time-hopping cop to go on the lam in search of answers.
When she was just 6 years old, Miriam Randle witnessed her twin brother's murder, and the event has colored her entire life. If Jeremy had lived, her mother would not have abandoned her. She would not have had to manage her father's alcoholism on her own, and there would be someone else to care for her estranged mother now, in the wake of an early-onset Alzheimer's diagnosis. At 26, Miriam works as a “travel agent”: a private law enforcement officer who goes back in time to stop murders before they happen. Hours after a mission goes sideways, she narrowly misses the chance to stop a would-be assassin from gravely injuring her partner, Vax. These back-to-back failures would be enough to unsettle any agent, but they fall on the 20th anniversary of Jeremy’s death. The ensuing debriefing reveals Miriam and Vax’s affair as well as his belief that Miriam may be losing her grip. All signs indicate that Vax’s assailant is a rogue agent, but the duo's handler does not give Miriam time to testify. He fires her mere moments before the killer strikes again, leaving her in possession of a literal smoking gun. Shades of classic science fiction permeate Bellin's neonoir, to both positive and negative effect. The central mystery keeps the pages turning well into the third act, but the author doesn't provide readers with the necessary tools to stitch the case together for themselves, resulting in several eleventh-hour reveals that feel unearned. In spite of the lack of signposting, however, readers familiar with Bellin's SF predecessors will spot many of the plot twists coming from miles away. That may please eagle-eyed speculative-fiction fans, but Bellin's decision to forego the trail of breadcrumbs may disappoint readers who approach this genre blender as a thriller.
A twisty time hop that never fully escapes the shadow of its influences.Pub Date: May 23, 2023
ISBN: 9781915202468
Page Count: 328
Publisher: Angry Robot Books
Review Posted Online: March 27, 2023
Kirkus Reviews Issue: April 15, 2023
An ambitious and satisfying conclusion to a monumental saga.
Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.
This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”
An ambitious and satisfying conclusion to a monumental saga.Pub Date: Feb. 9, 2016
ISBN: 978-0-345-53984-7
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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