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THE REBELS

ELIZABETH WARREN, BERNIE SANDERS, ALEXANDRIA OCASIO-CORTEZ, AND THE STRUGGLE FOR A NEW AMERICAN POLITICS

A fresh approach to understanding the origin and aims of the Democratic left.

A portrait of the progressive wing of the Democratic Party as a renewal of the promise of the New Deal.

Elizabeth Warren and Bernie Sanders have been sounding the theme for years, joined lately by Alexandria Ocasio-Cortez, that their party has “lost its way and been captured by Wall Street.” According to Bloomberg Businessweek correspondent Green, author of Devil’s Bargain, that happened all the way back in the administration of Jimmy Carter. When he assumed the presidency, Carter announced plans to rewrite the tax code, tax capital gains to put the wealthy on the same footing as ordinary citizens, and close countless loopholes. For Carter, this was as much a matter of morality as fiscal policy, but alas, morality is a hard sell in Washington, and his own administration was sharply divided on Carter’s “campaign promises to remedy the tax code in favor of working people.” Enter a ramped-up Wall Street lobbying industry, which was richly rewarded when Reagan came into office and convinced Congress to scrap laws separating commercial and investment banking, even as a few Democrats argued, “presciently, it turned out,” that doing so would usher in an era of bailouts of federally insured banks. Ever since, Green notes, bankers have led the list of major political donors, a hallmark of “a new political era that would lead Democrats to embrace big business.” Perhaps ironically, Green notes, Trump’s arrival provided Democratic progressives with new energy to rebuild from the left, forging new alliances with working people and unions and demanding more on their behalf, including significant reform of the laws governing finance and, yes, the tax code. Although the author allows that this new era is “still largely undefined,” it’s a return to the big-tent, multiracial ideals of old.

A fresh approach to understanding the origin and aims of the Democratic left.

Pub Date: Jan. 9, 2024

ISBN: 9780525560241

Page Count: 352

Publisher: Penguin Press

Review Posted Online: Dec. 13, 2023

Kirkus Reviews Issue: Jan. 15, 2024

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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THE LOOK

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

A coffee-table book celebrates Michelle Obama’s sense of fashion.

Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

Pub Date: Nov. 4, 2025

ISBN: 9780593800706

Page Count: 304

Publisher: Crown

Review Posted Online: Nov. 7, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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