An important testimony that will refute anyone who denies the reality of the Nazi crimes.
A companion volume to the PBS documentary (scheduled for broadcast in May 2000), providing a transcription of 27
videotaped interviews with Holocaust survivors and witnesses. The interviewees recorded their testimonies for the Fortunoff Video Archive at Yale University beginning in 1979. Greene (an award-winning film producer) and Kumar (who conducts "television ethics" seminars) cut the separate interviews into short passages and presented them over several chronological chapters. A polished and eloquent foreword by Lawrence Langer (English/Simmons Coll.) exhorts us not to romanticize the will or resistance of the survivors, who had a traumatic but distinctly "unheroic experience." The corroboration of the details of particular events (death marches, for example) or general experiences (such as the day-to-day living conditions in the camps) by both survivors and witnesses is remarkable, and it endows the collection with a tremendous historical importance. It is a disappointment, then, to find last names omitted from the credits of the interviewees, as this tends to blunt the otherwise sharp realism of the project as a whole. Furthermore, and for the same reason, the absence of many of the dates and place names is a serious oversight. While some of the split-screen excerpts are jarringly short (one German Jew appears only long enough to say he rooted for Germany in the 1936 Olympics), most of the pieces fit together as a kind of mosaic depicting prewar Europe, the ghettos, life underground, deportations, the camps, the liberation, and (in the last chapter) the after-effects of the war. While most of the reportage is not new, there are important confirmations of anecdotal accounts (of cannibalism among Soviet prisoners, for example), and many of the statements (such as Joseph K."s description of the ghetto as worse than the camps because "there was the constant fear of something happening to my family") offer sharp psychological insights. References allow contributors to be accessed on video and provide extensive lists for further reading on the subject.
An important testimony that will refute anyone who denies the reality of the Nazi crimes.Pub Date: April 1, 2000
ISBN: 0-684-86525-4
Page Count: 288
Publisher: Free Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2000
A unique, inspiring story by a member of the Greatest Generation.
A firsthand account of how the Navajo language was used to help defeat the Japanese in World War II.
At the age of 17, Nez (an English name assigned to him in kindergarten) volunteered for the Marines just months after the bombing of Pearl Harbor. Growing up in a traditional Navajo community, he became fluent in English, his second language, in government-run boarding schools. The author writes that he wanted to serve his country and explore “the possibilities and opportunities offered out there in the larger world.” Because he was bilingual, he was one of the original 29 “code talkers” selected to develop a secret, unbreakable code based on the Navajo language, which was to be used for battlefield military communications on the Pacific front. Because the Navajo language is tonal and unwritten, it is extremely difficult for a non-native speaker to learn. The code created an alphabet based on English words such as ant for “A,” which were then translated into its Navajo equivalent. On the battlefield, Navajo code talkers would use voice transmissions over the radio, spoken in Navajo to convey secret information. Nez writes movingly about the hard-fought battles waged by the Marines to recapture Guadalcanal, Iwo Jima and others, in which he and his fellow code talkers played a crucial role. He situates his wartime experiences in the context of his life before the war, growing up on a sheep farm, and after when he worked for the VA and raised a family in New Mexico. Although he had hoped to make his family proud of his wartime role, until 1968 the code was classified and he was sworn to silence. He sums up his life “as better than he could ever have expected,” and looks back with pride on the part he played in “a new, triumphant oral and written [Navajo] tradition,” his culture's contribution to victory.
A unique, inspiring story by a member of the Greatest Generation.Pub Date: Sept. 6, 2011
ISBN: 978-0-425-24423-4
Page Count: 320
Publisher: Dutton Caliber
Review Posted Online: July 5, 2011
Kirkus Reviews Issue: July 15, 2011
A zesty, energetic history, not only of a building, but of more than a century of American culture.
A revealing biography of the fabled Manhattan hotel, in which generations of artists and writers found a haven.
Turn-of-the century New York did not lack either hotels or apartment buildings, writes Tippins (February House: The Story of W. H. Auden, Carson McCullers, Jane and Paul Bowles, Benjamin Britten, and Gypsy Rose Lee, Under One Roof In Wartime America, 2005). But the Chelsea Hotel, from its very inception, was different. Architect Philip Hubert intended the elegantly designed Chelsea Association Building to reflect the utopian ideals of Charles Fourier, offering every amenity conducive to cooperative living: public spaces and gardens, a dining room, artists’ studios, and 80 apartments suitable for an economically diverse population of single workers, young couples, small families and wealthy residents who otherwise might choose to live in a private brownstone. Hubert especially wanted to attract creative types and made sure the building’s walls were extra thick so that each apartment was quiet enough for concentration. William Dean Howells, Edgar Lee Masters and artist John Sloan were early residents. Their friends (Mark Twain, for one) greeted one another in eight-foot-wide hallways intended for conversations. In its early years, the Chelsea quickly became legendary. By the 1930s, though, financial straits resulted in a “down-at-heel, bohemian atmosphere.” Later, with hard-drinking residents like Dylan Thomas and Brendan Behan, the ambience could be raucous. Arthur Miller scorned his free-wheeling, drug-taking, boozy neighbors, admitting, though, that the “great advantage” to living there “was that no one gave a damn what anyone else chose to do sexually.” No one passed judgment on creativity, either. But the art was not what made the Chelsea famous; its residents did. Allen Ginsberg, Bob Dylan, Andy Warhol, Janis Joplin, Leonard Cohen, Robert Mapplethorpe, Phil Ochs and Sid Vicious are only a few of the figures populating this entertaining book.
A zesty, energetic history, not only of a building, but of more than a century of American culture.Pub Date: Dec. 3, 2013
ISBN: 978-0-618-72634-9
Page Count: 448
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Sept. 18, 2013
Kirkus Reviews Issue: Oct. 1, 2013
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