A candid tale that triumphantly understands the Midwestern psyche, delivering moments of beauty and tragedy.
A young Missouri man on a failing dairy farm contemplates what he feels will be the last day of his life in this novel.
At the age of 32, Calem Honeycutt is already a homeowner, but he didn’t move far from his parents. They are a mile away at their dairy farm in the Ozarks where Calem still works. He didn’t feel like going to college or getting what some call a real job, as he is too tied to the life and landscape of his upbringing. (“There are two cricks that run through our land, three ponds, and a waterfall that will leave a hell of an impression if you’re ever lucky enough to see it.”) His parents are reliable and supportive, if somewhat stoic, though his sister, Caitlyn, whom he genuinely likes, is now an urban progressive liberal who is outraged by her family’s conservative opinions. Calem hunts, fishes, and sees friends, but he is single and deals with despair. He has convinced himself this will be the last day he will ever live. He plows through the day, racked by memories of old times and fascinated by new views of familiar landscapes. Some fun is on the horizon, since he is going fishing with his friend Miles that evening. Even so, bad news comes in about the dairy farm, pushing Calem and his family toward new, possibly insurmountable anxieties. Senter’s impressive novel is a truthful, honestly told story that puts a human face on a region that’s steeped in tradition, brimming with the allure of nature, and grappling with the constant threat of being swallowed up by the latest corporate entity. Calem’s world is intricately described as a land of four-wheelers, black walnuts, hog suckers, and Holsteins, and it’s a place that offers seemingly endless freedom but brutal government and marketplace restrictions. The author’s careful plotting, over the course of one remarkably intense day, defies expectations as it moves toward its haunting conclusion.
A candid tale that triumphantly understands the Midwestern psyche, delivering moments of beauty and tragedy.Pub Date: Jan. 14, 2022
ISBN: 978-1-7375856-0-2
Page Count: 188
Publisher: Roubidoux Press
Review Posted Online: Sept. 10, 2021
Kirkus Reviews Issue: Nov. 1, 2021
Review Program: Kirkus Indie
PROFILES
PERSPECTIVES
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
PERSPECTIVES
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