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DRUNK MOM

A MEMOIR

“Do I stay sober?” she asks at the end of this painfully honest, insightful memoir; “I’m still here. But how can I be sure...

A new mother recounts her struggle with alcoholism.

After three and a half years sober, Bydlowska celebrated the birth of her son with a glass of champagne—and then another and another. That party began her relapse into alcoholism: drinking, lying to her loving and patient boyfriend, hiding vodka bottles in her baby’s diaper bag and sock drawer, dropping concerned friends, and blacking out again and again. “I prefer drinking to anything in the world,” she admits, “sex, food, sleep. My child, my lover, anything.” But alcoholism, she writes, “is not drinking, just like hemophilia is not bleeding. You can’t slow down, cut down on your alcoholism. You can’t unlearn its language.” Although she was elated by her child’s birth, wanted desperately to be a responsible mother, and feared that her son would be taken from her if she kept drinking, she simply could not stop. Drinking was not only a desire, but also “a need that’s psychological—sustenance necessary to keep troubling thoughts away. The thoughts of guilt and worry.” Those obsessive thoughts were “never easily distracted,” making her addiction feel like “a body part. I can’t get rid of it any easier than I can cut off my own arm or poke my eye out.” Being an alcoholic also required considerable stealth: drinking where her boyfriend would not see her, staggering purchases at different liquor stores to deflect notice, and always keeping a supply of mints or juice to mask traces of alcohol on her breath. Finally, she agreed to go into rehab when her blackouts put her child in danger. But after rehab, she drank again. Rehab failed her, Bydlowska writes, because she was not desperate enough to want sobriety. Now she is sober at last, with the help of Alcoholics Anonymous.

“Do I stay sober?” she asks at the end of this painfully honest, insightful memoir; “I’m still here. But how can I be sure of anything else?” Addiction, she knows, is forever.

Pub Date: June 1, 2014

ISBN: 978-0-14-312650-8

Page Count: 320

Publisher: Penguin

Review Posted Online: April 7, 2014

Kirkus Reviews Issue: May 1, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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