Nonetheless, an incandescent retelling both timeless and, alas, all too timely.

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BLOOD WATER PAINT

Baroque artist and feminist icon Artemisia Gentileschi is given voice in a debut verse novel.

Only 17, Artemisia is already a more gifted painter than her feckless father. But in 17th-century Rome, the motherless girl is only grudgingly permitted to grind pigment, prepare canvas, and complete commissions under his signature. So when the charming Agostino Tassi becomes her tutor, Artemisia is entranced by the only man to take her work seriously…until he resorts to rape. At first broken in body and spirit, she draws from memories of her mother’s stories of the biblical heroines Susanna and Judith the strength to endure and fight back the only way she can. Artemisia tells her story in raw and jagged blank verse, sensory, despairing, and defiant, interspersed with the restrained prose of her mother’s subversive tales. Both simmer with impotent rage at the injustices of patriarchal oppression, which in the stories boils over into graphic sexual assault and bloody vengeance. While the poems (wisely) avoid explicitly depicting either Artemisia’s rape or subsequent judicial torture, the searing aftermath, physical and mental, is agonizingly portrayed. Yet Artemisia’s ferocious passion to express herself in paint still burns most fiercely. Unfortunately, those who lack familiarity with the historical facts or context may emerge from this fire scorched but not enlightened. McCullough’s Rome is a white one. A brief note in the backmatter offers sexual-violence resources.

Nonetheless, an incandescent retelling both timeless and, alas, all too timely. (afterword) (Historical fiction. 14-adult)

Pub Date: March 6, 2018

ISBN: 978-0-7352-3211-2

Page Count: 304

Publisher: Dutton

Review Posted Online: Dec. 6, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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This story is necessary. This story is important.

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THE HATE U GIVE

Sixteen-year-old Starr Carter is a black girl and an expert at navigating the two worlds she exists in: one at Garden Heights, her black neighborhood, and the other at Williamson Prep, her suburban, mostly white high school.

Walking the line between the two becomes immensely harder when Starr is present at the fatal shooting of her childhood best friend, Khalil, by a white police officer. Khalil was unarmed. Khalil’s death becomes national news, where he’s called a thug and possible drug dealer and gangbanger. His death becomes justified in the eyes of many, including one of Starr’s best friends at school. The police’s lackadaisical attitude sparks anger and then protests in the community, turning it into a war zone. Questions remain about what happened in the moments leading to Khalil’s death, and the only witness is Starr, who must now decide what to say or do, if anything. Thomas cuts to the heart of the matter for Starr and for so many like her, laying bare the systemic racism that undergirds her world, and she does so honestly and inescapably, balancing heartbreak and humor. With smooth but powerful prose delivered in Starr’s natural, emphatic voice, finely nuanced characters, and intricate and realistic relationship dynamics, this novel will have readers rooting for Starr and opening their hearts to her friends and family.

This story is necessary. This story is important. (Fiction. 14-adult)

Pub Date: Feb. 28, 2017

ISBN: 978-0-06-249853-3

Page Count: 464

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Dec. 6, 2016

Kirkus Reviews Issue: Dec. 15, 2016

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An unpolished grab bag of incidents that tries to make a point about racial inequality.

I'M NOT DYING WITH YOU TONIGHT

Two teenage girls—Lena and Campbell—come together following a football game night gone wrong.

Campbell, who is white and new to Atlanta, now attends the school where Lena, who is black, is a queen bee. At a game between McPherson High and their rival, a racist slur leads to fights, and shots are fired. The unlikely pair are thrown together as they try to escape the dangers on campus only to find things are even more perilous on the outside; a police blockade forces them to walk through a dangerous neighborhood toward home. En route, a peaceful protest turns into rioting, and the presence of police sets off a clash with protestors with gruesome consequences. The book attempts to tackle racial injustice in America by offering two contrasting viewpoints via narrators of different races. However, it portrays black characters as violent and criminal and the white ones as excusably ignorant and subtly racist, seemingly redeemed by moments when they pause to consider their privileges and biases. Unresolved story arcs, underdeveloped characters, and a jumpy plot that tries to pack too much into too small a space leave the story lacking. This is not a story of friendship but of how trauma can forge a bond—albeit a weak and questionable one—if only for a night.

An unpolished grab bag of incidents that tries to make a point about racial inequality. (Fiction. 15-adult)

Pub Date: Aug. 6, 2019

ISBN: 978-1-4926-7889-2

Page Count: 272

Publisher: Sourcebooks Fire

Review Posted Online: May 22, 2019

Kirkus Reviews Issue: June 15, 2019

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