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THE TRAGEDY OF BENEDICT ARNOLD

AN AMERICAN LIFE

Readers will decide if Arnold’s choices were forced upon him or if he was, indeed, flawed. Malcolm provides plenty to...

An attempt to bring understanding, if not forgiveness, to the story of Benedict Arnold (1741-1801).

Examining a variety of primary sources, including Russell M. Lea’s 2008 publication of Arnold’s war correspondence and other Arnold papers “recently discovered in Quebec,” Malcolm (George Mason Univ. School of Law; Peter's War: A New England Slave Boy and the American Revolution, 2009, etc.) dives further into the psyche of the man synonymous with the word “traitor.” His ability as a soldier, acknowledged even by the British, and continued heroics indicate a truly talented, heroic patriot who dedicated his life, lost his fortune, and suffered crippling injury for the American cause. Arnold was also rash and impetuous, and his pride and successes made many enemies. The micromanaging of the Army by the Congress made such rivalries more common, as they often appointed ill-qualified but well-connected leaders. After Ticonderoga, Arnold led a heroic trek through the bleak winter landscape to meet up with Gen. Philip Schuyler at Montreal. But Col. Roger Enos abandoned that trek and left with a third of Arnold’s force. Even so, Arnold was successful at Montreal and then built a fleet of shallow draft boats on Lake Champlain to block the British. At Saratoga, Gen. Horatio Gates disliked him intensely and confined Arnold to his tent. Not to be held back, he led the leaderless army to turn the battle, but he was also grievously injured. George Washington sent him to Philadelphia to lead, a huge mistake since Arnold had very little political ability. He was often denied pay and promotions, and a series of false accusations pushed him over the edge. Others would suffer similarly and resign their commissions, but Arnold felt the war was lost and turned to the British. The author does her best to paint her subject as underappreciated—and is mostly successful in that endeavor—and she rejects the accusations that his wife drove him to treason.

Readers will decide if Arnold’s choices were forced upon him or if he was, indeed, flawed. Malcolm provides plenty to consider.

Pub Date: May 1, 2018

ISBN: 978-1-68177-737-5

Page Count: 416

Publisher: Pegasus

Review Posted Online: March 18, 2018

Kirkus Reviews Issue: April 1, 2018

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A TALE OF LOVE AND DARKNESS

A boon for admirers of Oz’s work and contemporary Israeli literature in general.

A moving, emotionally charged memoir of the renowned author’s youth in a newly created Israel.

“Almost everyone in Jerusalem in those days,” writes novelist Oz (The Same Sea, 2001, etc.) of the 1940s, “was either a poet or a writer or a researcher or a thinker or a scholar or a world reformer.” Oz’s uncle Joseph Klausner, for instance, kept a 25,000-volume library in every conceivable language, its dusty volumes providing a madeleine for the young writer, “the smell of a silent, secluded life devoted to scholarship,” even as his grandmother contemplated the dusty air of the Levant and concluded that the region was full of germs, whence “a thick cloud of disinfecting spirit, soaps, creams, sprays, baits, insecticides, and powder always hung in the air.” His own father had to sell his beloved books in order to buy food when money was short, though he often returned with more books. (“My mother forgave him, and so did I, because I hardly ever felt like eating anything except sweetcorn and icecream.”) Out in the street, Oz meets a young Palestinian woman who is determined to write great poems in French and English; cats bear such names as Schopenhauer and Chopin; the walls of the city ring with music and learned debate. But then there is the dark side: the war of 1948, with its Arab Legion snipers and stray shells, its heaps of dead new emigrants fresh from the Holocaust. “In Nehemiah Street,” writes Oz, “once there was a bookbinder who had a nervous breakdown, and he went out on his balcony and screamed, Jews, help, hurry, soon they’ll burn us all.” In this heady, dangerous atmosphere, torn by sectarian politics and the constant threat of terror, Oz comes of age, blossoming as a man of letters even as the bookish people of his youth begin to disappear one by one.

A boon for admirers of Oz’s work and contemporary Israeli literature in general.

Pub Date: Nov. 15, 2004

ISBN: 0-15-100878-7

Page Count: 544

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2004

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THE ESCAPE ARTIST

A vivid sequel that strains credulity.

Fremont (After Long Silence, 1999) continues—and alters—her story of how memories of the Holocaust affected her family.

At the age of 44, the author learned that her father had disowned her, declaring her “predeceased”—or dead in his eyes—in his will. It was his final insult: Her parents had stopped speaking to her after she’d published After Long Silence, which exposed them as Jewish Holocaust survivors who had posed as Catholics in Europe and America in order to hide multilayered secrets. Here, Fremont delves further into her tortured family dynamics and shows how the rift developed. One thread centers on her life after her harrowing childhood: her education at Wellesley and Boston University, the loss of her virginity to a college boyfriend before accepting her lesbianism, her stint with the Peace Corps in Lesotho, and her decades of work as a lawyer in Boston. Another strand involves her fraught relationship with her sister, Lara, and how their difficulties relate to their father, a doctor embittered after years in the Siberian gulag; and their mother, deeply enmeshed with her own sister, Zosia, who had married an Italian count and stayed in Rome to raise a child. Fremont tells these stories with novelistic flair, ending with a surprising theory about why her parents hid their Judaism. Yet she often appears insensitive to the serious problems she says Lara once faced, including suicidal depression. “The whole point of suicide, I thought, was to succeed at it,” she writes. “My sister’s completion rate was pathetic.” Key facts also differ from those in her earlier work. After Long Silence says, for example, that the author grew up “in a small city in the Midwest” while she writes here that she grew up in “upstate New York,” changes Fremont says she made for “consistency” in the new book but that muddy its narrative waters. The discrepancies may not bother readers seeking psychological insights rather than factual accuracy, but others will wonder if this book should have been labeled a fictionalized autobiography rather than a memoir.

A vivid sequel that strains credulity.

Pub Date: Feb. 11, 2020

ISBN: 978-1-982113-60-5

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Oct. 20, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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