A satisfying blend of historical fact and strong, informed opinion about one of history’s most captivating figures.
A new biography of the Macedonian ruler attempts to debunk many myths surrounding her legacy.
Egyptologist Tyldesley (Egypt: How a Lost Civilization Was Rediscovered, 2006, etc.) digs deeply into Cleopatra’s life, piecing together a unique portrait of her successes and failures. In chronological fashion, the author covers the major historical issues surrounding Cleopatra, but she wisely avoids lingering too long on well-traveled ground. Tyldesley examines many of the burning questions that continue to puzzle historians—Was she black? Did she marry her brother? Was she beautiful or ugly?—and that have helped create such a beguiling picture of the queen. Many biographers focus too much on Cleopatra’s reputation as a temptress, but Tyldesley gamely analyzes her politically astute nature at work against the backdrop of the bloody, brutal times in which she operated. However, the author doesn’t shy away from discussing the many apocryphal tales that swirl around the Ptolemaic ruler: the queen smuggling herself in a roll of linen sheets (or, in more common myth, a carpet) in an attempt to reach Caesar; the presentation of Pompey’s severed and pickled head to Caesar as a gift, etc. The various stories about Cleopatra’s relationship with Antony are thoroughly dissected, and Tyldesley supplements these with a neat examination of Shakespeare’s Antony and Cleopatra. The most absorbing passages concern her relationship with Antony and her subsequent demise, which are interspersed with (sometimes conflicting) quotations from fellow historians. Tyldesley also includes a welcome guide to the individual characters that Cleopatra encountered during the Ptolemaic period.
A satisfying blend of historical fact and strong, informed opinion about one of history’s most captivating figures.Pub Date: Sept. 1, 2008
ISBN: 978-0-465-00940-4
Page Count: 304
Publisher: Basic Books
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 15, 2008
A unique, incandescent memoir.
A lyrical, soul-stirring memoir about how an acclaimed Native American poet and musician came to embrace “the spirit of poetry.”
For Harjo, life did not begin at birth. She came into the world as an already-living spirit with the goal to release “the voices, songs, and stories” she carried with her from the “ancestor realm.” On Earth, she was the daughter of a half-Cherokee mother and a Creek father who made their home in Tulsa, Okla. Her father's alcoholism and volcanic temper eventually drove Harjo's mother and her children out of the family home. At first, the man who became the author’s stepfather “sang songs and smiled with his eyes,” but he soon revealed himself to be abusive and controlling. Harjo's primary way of escaping “the darkness that plagued the house and our family” was through drawing and music, two interests that allowed her to leave Oklahoma and pursue her high school education at the Institute of American Indian Arts in Santa Fe. Interaction with her classmates enlightened her to the fact that modern Native American culture and history had been shaped by “colonization and dehumanization.” An education and raised consciousness, however, did not spare Harjo from the hardships of teen pregnancy, poverty and a failed first marriage, but hard work and luck gained her admittance to the University of New Mexico, where she met a man whose “poetry opened one of the doors in my heart that had been closed since childhood.” But his hard-drinking ways wrecked their marriage and nearly destroyed Harjo. Faced with the choice of submitting to despair or becoming “crazy brave,” she found the courage to reclaim a lost spirituality as well as the “intricate and metaphorical language of my ancestors.”
A unique, incandescent memoir.Pub Date: July 9, 2012
ISBN: 978-0-393-07346-1
Page Count: 208
Publisher: Norton
Review Posted Online: April 29, 2012
Kirkus Reviews Issue: May 15, 2012
SEEN & HEARD
When Kaysen was 18, in 1967, she was admitted to McLean Psychiatric Hospital outside Boston, where she would spend the next 18 months. Now, 25 years and two novels (Far Afield, 1990; Asa, As I Knew Him, 1987) later, she has come to terms with the experience- -as detailed in this searing account. First there was the suicide attempt, a halfhearted one because Kaysen made a phone call before popping the 50 aspirin, leaving enough time to pump out her stomach. The next year it was McLean, which she entered after one session with a bullying doctor, a total stranger. Still, she signed herself in: ``Reality was getting too dense...all my integrity seemed to lie in saying No.'' In the series of snapshots that follows, Kaysen writes as lucidly about the dark jumble inside her head as she does about the hospital routines, the staff, the patients. Her stay didn't coincide with those of various celebrities (Ray Charles, Sylvia Plath, Robert Lowell), but we are not likely to forget Susan, ``thin and yellow,'' who wrapped everything in sight in toilet paper, or Daisy, whose passions were laxatives and chicken. The staff is equally memorable: ``Our keepers. As for finders—well, we had to be our own finders.'' There was no way the therapists—those dispensers of dope (Thorazine, Stelazine, Mellaril, Librium, Valium)—might improve the patients' conditions: Recovery was in the lap of the gods (``I got better and Daisy didn't and I can't explain why''). When, all these years later, Kaysen reads her diagnosis (``Borderline Personality''), it means nothing when set alongside her descriptions of the ``parallel universe'' of the insane. It's an easy universe to enter, she assures us. We believe her. Every word counts in this brave, funny, moving reconstruction. For Kaysen, writing well has been the best revenge.
Pub Date: June 1, 1993
ISBN: 0-679-42366-4
Page Count: 176
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1993
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