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HATCHEPSUT

THE FEMALE PHARAOH

An absorbing scholarly biography, based on a meticulous review of the archaeological record, of a remarkable woman who ruled as pharaoh for 20 years in Egypt's Eighteenth Dynasty (c. 1490 b.c.). Although an important pharaoh whose rule was notable for internal order and other significant achievements, Hatchepsut has suffered, Tyldesley (Archaeology/Liverpool Univ.) argues, from an unjust obscurity, born mostly from her enemies' determined efforts to obliterate her memory and from a consequent paucity of archaeological evidence about her. The daughter of Tuthmosis I and widowed by her half-brother and husband, Tuthmosis II, Hatchepsut became queen regent for the infant Tuthmosis III, whose mother was a member of the royal harem. As Tyldesley relates, Hatchepsut was a model regent at first, but in the seventh year of the reign she became pharaoh, assuming the title King of Egypt (there was no term for queen) and taking on the symbolic masculine aspects of her role, including the traditional false beard. Tyldesley contends that, contrary to a common interpretation, Hatchepsut's behavior was not that of an obsessed power-grabber, but of a typical pharaoh; she allowed Tuthmosis III to obtain the traditional pharaonic military education, she ruled with him as co-regent, and her long rule was characterized by economic prosperity and extensive monument-building, the traditional preoccupations of New Kingdom monarchs. Tyldesley argues that evidence of military conquest during Hatchepsut's reign is slender and questionable, but asserts that there were solid achievements in the realms of trade and exploration. The author speculates on the relationship between the queen and Senenmut, one of several brilliant administrators who made her reign possible. Finally, Tyldesley concludes that Hatchepsut died a natural death (in contrast to arguments that Tuthmosis III orchestrated her death). Tyldesley works closely from surviving texts and fragmentary monuments to recreate vividly an outstanding woman of the ancient past.

Pub Date: Dec. 1, 1996

ISBN: 0-670-85976-1

Page Count: 304

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1996

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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