A sympathetic, instructive story of resilience.

Hopefully Beautiful

I MORE THAN SURVIVED... I THRIVED!

A girl learns how much grit and grace it takes to make it out of poverty in this debut memoir.

Singer/songwriter Moore opens her recollection of her childhood on a portentous note: her grandmother Dot revealed that spirits were after the young girl. This detail would prove prophetic for Moore, whose memoir is full of accounts of visitations from her late grandmother. But these spirits were nothing, it seemed, compared to the harm that living people inflicted on her. She and her sister were raised by her grandmother and her hot-tempered, teenage mother, and the author writes that she had to provide her mother with just the right amount of eye contact to avoid beatings. In one incident, she says, her mother burned her sister’s leg with an iron and lied about it; in another, she writes that her mother’s one-time boyfriend molested her and her sister. The family moved from city to city, relative to relative, as they tried to survive. The abuse persisted, Moore says; once, her mother broke a plaque depicting Jesus’ Crucifixion over the head of her then-stepfather. After the author became pregnant from a rape, she had an abortion and ran away from home and eked out a living with her sister and their friends, who stole to survive. After several returns home and failed, injurious relationships, she found a partner who proved reliable—and brave enough to stand up to her mother. Overall, the memoir is unrelenting in its intensity; it often seems as if the domestic and sexual violence will never end. But even more remarkable is Moore’s approach to describing her traumas, which is laudably unsentimental, unflinchingly realistic, and even occasionally witty. Despite the author’s apparent lack of interest in sugarcoating her experiences, she ends her memoir, convincingly, on a note of optimism. Perhaps it’s the very same optimism that helped her live through unfathomable cruelty so that she could go on to become a successful musician.

A sympathetic, instructive story of resilience.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: CreateSpace

Review Posted Online: Dec. 18, 2015

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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