Next book

THE SEARCH FOR KATE DUVAL

A winter-summer relationship ends tragically, leaving the older man grieving in his beloved's snowbound trailer, feeding carrots to her horse and reading her family history: an awkard near-parody by the respected author of Peggy SaltÇ (1983). Revisiting old themes, Edwards offers Kate DuVal as a young woman possessed by her ancestral past, viewing her love life through the eyes of generations of luckless DuVal women. She meets Graden Wells, a wealthy, middle-aged Boston financier who's come west to poke at his own dark family roots—including a grandfather who killed himself near Durango, Colorado. Kate is there, a freshman in college but wise beyond her years, and a chance encounter in a local bar enables them to share enough of their family history to become infatuated with each other. Graden learns the full story of the DuVal women—from Susannah, a headstrong belle who bedded a pair of Confederate brothers during the Civil War, to Eva, Kate's mother, who used men like Kleenex and never did quite know who Kate's father was. He finds himself playing the part in Kate's reconstructed ancestry of ``Uncle'' Tom, a New Mexico rancher who fell in love with his niece and had tho children by her although she was married to someone else at the time and died giving birth to the second child. When Graden rebuilds his grandfather's cabin, hoping to persuade Kate to move in, he finds himself unexpectedly saddled with another, less romantic connection to the men in the DuVal past, and she grows distant. They separate, and Graden leaves town to collect himself, but turns around after having a premonition of disaster, only to find that his lover and her horse have disappeared. One-dimensional characters and sketchy plotting make for a deeply flawed love story, although the prevailing mood of catastrophic midlife crisis seems genuine enough.

Pub Date: Sept. 1, 1996

ISBN: 0-7145-3000-X

Page Count: 191

Publisher: Marion Boyars

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1996

Categories:
Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:
Next book

SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:
Close Quickview