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THE GHOST OF THE REVELATOR

Sequel to Of Tangible Ghosts (1994), Modesitt’s intriguing, flavorsome alternate-world yarn where ghosts are real and America doesn’t exist; instead, the continent is split among Columbia, Quebec, Deseret, and New France (some maps would have been useful); Europe is dominated by the Austro-Hungarian Empire; Adolph Hitler (under his real name) is the Empire’s Ambassador to Japan; cars run on steam; computers are “difference engines,” and you don’t telephone, you “wire.” Columbia’s Johan Eschbach is Professor of Natural Resources at Vanderbraak State University in New Bruges. His wife, Llysette, a world-famous diva, was jailed and tortured by Austro-Hungary. Johan himself used to work, unwillingly, for the Spazi (secret police) and still retains his government connections. Columbia is negotiating with Deseret, the Mormon state, over the supply of synthetic fuels, and to sweeten the process, Llysette has been booked to sing in Great Salt Lake City. According to local custom, Johan must accompany her, providing him an opportunity to do a little discreet spying. But the situation is fraught with danger: expansionist Austro-Hungary wants no treaty between Columbia and Deseret; New France’s spy chief is skulking around; someone is trying to obtain details of Johan’s “ghosting technology”; and an assassination attempt against Johan, or Llysette, or both, fails narrowly. Deseret itself is riven by a power struggle: a dissident group kidnaps Llysette, intending to seize control of the government by forcing Johan to summon the ghost of Joseph Smith! Appealing characters, agreeably labyrinthine plotting, a fascinatingly detailed backdrop—and, love ‘em or loathe ‘em, ghosts.

Pub Date: Sept. 16, 1998

ISBN: 0-312-86426-4

Page Count: 304

Publisher: Tor

Review Posted Online: May 19, 2010

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DARK MATTER

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

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A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.

Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

Pub Date: July 26, 2016

ISBN: 978-1-101-90422-0

Page Count: 352

Publisher: Crown

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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A BLIGHT OF BLACKWINGS

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.

In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Pub Date: Feb. 4, 2020

ISBN: 978-0-345-54857-3

Page Count: 592

Publisher: Del Rey/Ballantine

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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