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LIGHTING OUT FOR THE TERRITORY

HOW SAMUEL CLEMENS BECAME MARK TWAIN

Nothing new or particularly compelling for Twain buffs, but an engaging account for the casual fan.

This latest addition to the overstuffed Twain library offers neither scholarly revelation nor literary insight, but instead provides a Civil War historian’s account of the author’s formative years during and after the war.

The editor of Military Heritage magazine and author of books on the Civil War and other topics from that era (The Long Pursuit: Abraham Lincoln’s Thirty-Year Struggle with Stephen Douglas for the Heart and Soul of America, 2008, etc.) might seem like an odd choice to tackle a subject who did his best to avoid that war. Yet Morris builds a solid case that it was the war that “ended Twain’s career as a riverboat pilot, occasioned his brief inglorious career as a Confederate guerilla, and (had) driven him westward across the continent.” The central theme of the book, stated more than once, is that “he had come west as Sam Clemens…He was returning east as Mark Twain—increasingly renowned journalist, lecturer, and short story writer.” The challenge for the author is that the period from 1861 to 1867 has, like the rest of Twain’s life, been exhaustively documented. Morris’s narrative relies heavily on the many books that have come before, including Twain’s autobiographical writings. Since Twain was never known to let the facts get in the way of a good yarn—even his journalism was marked by stretching the truth and outright invention—Morris attempts to set the record straight. He does a good job detailing the young man’s years in Nevada as a shareholder in ultimately worthless mines, San Francisco as a Wild West outpost and Hawaii, where Twain went surfing(!). For the reader willing to forgive the assessment that The Adventures of Tom Sawyer is “in some ways (his) best book,” the Twain who emerges here is more human, less legend.

Nothing new or particularly compelling for Twain buffs, but an engaging account for the casual fan.

Pub Date: April 13, 2010

ISBN: 978-1-4165-9866-4

Page Count: 304

Publisher: Simon & Schuster

Review Posted Online: Dec. 29, 2010

Kirkus Reviews Issue: Jan. 15, 2010

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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