In a new series, The Young Oxford History of African Americans, comes this powerful volume, subtitled ``African Americans 19291945.'' Trotter finds that the period was paradoxical for blacks; for perhaps the first time since Reconstruction, there were rays of hope that full equality with whites was possible even though African-Americans—traditionally ``last hired, first fired''—had a higher unemployment rate than any other group. With Roosevelt's election to the presidency, Trotter writes, blacks believed in FDR enough to make new demands for ``full access to the fruits of American citizenship and democracy'' and came together as a community to support the New Deal. It took WW II, however, to open real doors of opportunity for African-Americans. By 1945, the stage was set for the modern civil rights movement. This is a balanced and unbiased treatment of a turbulent but nevertheless hopeful era in the history of African- Americans; readers will gain a real sense of the influences on the current and future states of race relations in the US. (b&w photos, maps, chronology, bibliography, index) (Nonfiction. 12+)
Pub Date: Dec. 1, 1995
ISBN: 0-19-508771-2
Page Count: 125
Publisher: Oxford Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1995
Necessary for every home, school, and public library.
“This is the story of a girl who lost her voice and wrote herself a new one.”
The award-winning author, who is also a rape survivor, opens up in this powerful free-verse memoir, holding nothing back. Part 1 begins with her father’s lifelong struggle as a World War II veteran, her childhood and rape at 13 by a boy she liked, the resulting downward spiral, her recovery during a year as an exchange student in Denmark, and the dream that gave her Melinda, Speak’s (1999) protagonist. Part 2 takes readers through her journey as a published author and National Book Award finalist. She recalls some of the many stories she’s heard during school visits from boys and girls who survived rape and sexual abuse and calls out censorship that has prevented some speaking engagements. In Part 3, she wraps up with poems about her family roots. The verse flows like powerful music, and Anderson's narrative voice is steady and direct: “We should teach our girls / that snapping is OK, / instead of waiting / for someone else to break them.” The poems range in length from a pair of two-line stanzas to several pages. Readers new to Anderson will find this accessible. It’s a strong example of how lived experience shapes art and an important book for the #MeToo movement.
Necessary for every home, school, and public library. (resources) (Verse memoir. 13-adult)Pub Date: March 12, 2019
ISBN: 978-0-670-01210-7
Page Count: 304
Publisher: Viking
Review Posted Online: Dec. 18, 2018
Kirkus Reviews Issue: Jan. 15, 2019
This empowering collection belongs on every shelf.
A collection of poems centering the experiences of black women, girls, and femmes.
Elliott (Dragons in a Bag, 2018, etc.) offers up a poetic love letter exploring a vast range of topics: Black Lives Matter; microaggressions such as hair touching; violence against black women and girls; the Middle Passage; what self-care and resistance can look like; not fitting into prescribed definitions of blackness; and surviving in the U.S. (a country where, echoing Audre Lorde’s “A Litany for Survival,” she writes, “…you are a miracle / because we were never / meant to survive / not as human beings / yet despite their best efforts / to grind us down / still we rise / we strut / dazzle / & defy the odds…”). It’s clear that Elliott poured not only her talent, but her heart into this collection, which acknowledges race-wide struggles as well as very personal ones. True to the title, several poems allude to black women and young people who have been murdered; the references to black trans women may be too subtle for readers to recognize without referencing the notes. Elliott includes a sprinkling of mentor poems that served as inspiration to her and that form an introduction to readers unfamiliar with the poets’ works (though why Phillis Wheatley’s ode to internalized anti-blackness “On Being Brought From Africa to America” was included without context isn’t clear). Art not seen.
This empowering collection belongs on every shelf. (notes) (Poetry. 12-adult)Pub Date: Jan. 14, 2020
ISBN: 978-1-368-04524-7
Page Count: 112
Publisher: Jump at the Sun/Disney-Hyperion
Review Posted Online: Oct. 12, 2019
Kirkus Reviews Issue: Nov. 1, 2019
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
