The good news is that John and Dweena overcome their excruciating shyness to find romance. A joy.
A comedy of misunderstandings blooms to perfection in Whorton’s (Approximately Heaven, 2003) enchanting and erudite caper, set in hillbilly eastern Tennessee.
Imagine an aspiring historian, smart, idealistic, and dogged, but with the unhappy knack of making wrong decisions. Then meet our narrator, 28-year-old John Tolley. Comfortably ensconced in Ohio as editor of a Civil War magazine, he abruptly moves to New York and winds up as a spit-roaster. However, research on his special interest, President Andrew Johnson of Tennessee, yields a clue to a missing Johnson scrapbook, and it becomes John’s goal to hunt it down and make history. Suckered into buying a rapidly expiring Plymouth Duster, he barely makes it to Tennessee. Once there, nothing is what it seems. A female mail-carrier appears to be stealing a newspaper, and a little man emerges from a hole to mug him. When it turns out that the little man is a harmless dog trainer, Boo Price, and the scrupulously honest mail carrier is his cousin Dweena, Whorton’s deadpan comic genius exploits the misunderstandings—here and elsewhere—for laugh-out-loud results. John rents a log house from Boo and learns about treeing coons and dipping tobacco (culture-shock, but no cheap shots). His big break comes when a prestigious history magazine offers to publish his Johnson article. Oops, sorry: the editor, Professor Luke Van Brun, has confused John with a Buchanan essayist; John’s own essay is, er, water-damaged. And so it goes. John’s quest for that missing scrapbook becomes more complicated when he crosses paths with Danielle, reporter for a cable news show looking for a big story, and more complicated still when the treacherous Van Brun tries to steal John’s lead. It’s all great fun, but there’s also a poignancy to John’s realization that he has “a screwiness, deep down,” which sent him on this wild-goose chase.
The good news is that John and Dweena overcome their excruciating shyness to find romance. A joy.Pub Date: Jan. 6, 2005
ISBN: 0-7432-4448-6
Page Count: 288
Publisher: Free Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2004
BOOK REVIEW
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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