A sharp study of the perils of ideology in collision with art.
An acclaimed director looks back on an adolescence shaped by Maoism and guerrilla warfare.
Vásquez’s new novel is based on the real-life Colombian filmmaker Sergio Cabrera, who, as the story opens, is thrust into the past for a host of reasons. He’s presiding over a retrospective of his movies in Barcelona, which his ancestors fled to escape the Spanish Civil War; he’s attempting to reconnect with his son and his shaky marriage; and, most disruptive of all, he’s received word that his father has died back in Bogotá. Practically by force, Sergio’s mind casts back to his parents’ lives as theater and TV figures in Colombia and the family’s eventual move to Peking (as it was then known), where they embrace Maoism even while witnessing the violence of the Cultural Revolution. In the late 1960s, Sergio and his sister, Marianella, return to Colombia and participate in the Communist guerrilla movement there. With increasing frequency, the siblings become disillusioned with the rigidity and hypocrisy of the Communist leaders they encounter and are both psychologically and physically wounded by it. Still, Vásquez’s portrait of Sergio—based on more than 30 hours of interviews with Cabrera, according to an author’s note—isn’t simply a critique of authoritarian doctrine. Rather, the story is a more tender bildungsroman about the ways that heartbreak and political disillusionment intertwine to form our personalities; Sergio’s ideological development is braided with scenes of young romance and his growing enchantment with filmmaking. The book bears some of the stiffness of heavy research, at times reading more like a biography than a novel, complete with family photos. But it’s a strong entry in the author's careerlong exploration of the ways the political winds can change an artist’s fortunes.
A sharp study of the perils of ideology in collision with art.Pub Date: May 9, 2023
ISBN: 9780593539613
Page Count: 448
Publisher: Riverhead
Review Posted Online: Feb. 23, 2023
Kirkus Reviews Issue: March 15, 2023
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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