A Kafkaesque story about transformation and our collective human desire to connect with one another.

FROM THE SHADOWS

A nicotine- and porn-addicted Spanish misanthrope secretly lives in the closet of a family of strangers.

This novel by celebrated Spanish author Millás, his first to be published in North America, is spectacularly bizarre. The protagonist is Damián Lobo, age 43, and after a 25-year career as a maintenance man, he’s recently been fired from his job. He’s addicted to cigarettes and internet porn, specifically the Asian variety, as we learn that his formational sexual experiences were with his Chinese adoptive sister. Our boy masturbates a lot, as you might have guessed. To balance out his other habits, it’s also pretty apparent that he’s mentally ill, to the point where half his waking day is spent in hallucinated interviews with Sergio O’Kane, a Spanish journalist, which are broadcast around the world in Lobo’s imagination. After nicking a stupid tie clip from an antiques market in a fit of pique and nearly getting caught, he takes refuge in a smelly old wardrobe that winds up being delivered to a family’s home. Hidden most of the time, he secretly insinuates himself into the lives of Federico, who owns an electronic-toy store, his unhappy wife, Lucía, and their troubled daughter, María. As he begins to clean up their home, Damián (also naked most of the time and occasionally masturbating under the parents’ bed) reimagines his role as “Ghost Butler,” posting about his exploits on internet forums and achieving a bit of anonymous fame. There’s certainly a change here between Lucía's blossoming, María's trying to conquer her teenage troubles, and a troubling revelation about Federico, but readers will need to surmount a lot of hurdles to embrace our eccentric leading man despite Millás’ obviously imaginative style and literary weight.

A Kafkaesque story about transformation and our collective human desire to connect with one another.

Pub Date: Aug. 27, 2019

ISBN: 978-1-942658-66-5

Page Count: 208

Publisher: Bellevue Literary Press

Review Posted Online: May 27, 2019

Kirkus Reviews Issue: June 15, 2019

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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THE GREAT ALONE

In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 31, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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