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HYENA

A grating collection from a poor-man’s Howard Stern.

An explicit collection of stories from the host of The All Out Show on Sirius.

On Angelini’s radio show, guests are likely to do anything. One—“a little punk rock, porn chick”—urinated on him as foreplay, which must have made for great radio. The author originally self-published this book, though apparently there was enough demand to attract a publisher. Nearly every one of these stories involves impersonal sex either aided or thwarted by drugs that overcome the inherent numbness of the act or reinforce it. “Drug sex is great,” he writes. “The only thing better is love sex. But if you can’t get that, drug sex is a nice consolation prize.” There is little or no “love sex” in these pages, though Angelini expresses plenty of love for his daughter, who lives with her mother, whom he misses. He dedicates the book to both of them and claims that he “figured it out too late.” And what did he figure out? It’s hard to tell, though he plainly has something of the romantic in him: “Maybe some lady will pick me up, dust me off, and see me for the man I am and not the whore I’ve been acting like.” By the end of this series of short chapters, there is no sense that he is closer to any sort of transformation, though he seems as benumbed by the depravity of a life without purpose or pleasure as readers will be. As for humor, here’s a taste: “Every time I go to Flint, I end up at LLT’s, this grimy little strip club on Saginaw. They do a five-dollar lap dance, and I know you shouldn’t go bargain hunting for your tattoos or sex workers, but I just can’t turn down a good deal….Five bucks in Flint is like ten bucks in Detroit. It’s the Tijuana of the Midwest.”

A grating collection from a poor-man’s Howard Stern.

Pub Date: Sept. 23, 2014

ISBN: 978-1476789309

Page Count: 224

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: July 28, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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