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FAIR, BROWN AND TREMBLING

AN IRISH CINDERELLA STORY

Another version of the Cinderella story, this one based on a traditional Irish folktale. Three daughters, Fair, Brown, and Trembling, live with their father in a castle in the beautiful Irish countryside. Trembling, the most beautiful of the daughters, is forced to stay at home to cook and clean by her domineering older sisters, Fair and Brown. One Sunday morning, an old henwife comes into the castle’s kitchen, outfits Trembling in a beautiful long white dress, and sends her along to church on a horse she has just conjured up. The henwife warns Trembling not to actually go inside the church and to jump on the horse and ride away as fast as she can the minute the service ends. Trembling causes quite a sensation among the people—she charms all of the men and evokes envy from the women, who are jealous of her beauty and her gorgeous clothes. After Trembling’s third visit to the church, just as she is dashing away on her snow-white horse, the Prince of Emania pulls off one of Trembling’s elegant blue slippers. The Prince and many other princes who have traveled from other parts of Ireland and from as far away as Africa to propose to Trembling, travel the country looking for the woman for whom the shoe will be a perfect fit. The prince finally finds Trembling and, after fighting off all the competing princes, claims her for his wife. They have 14 children and live happily ever after. The two sisters, by the way, are put out to sea on a barrel, a punishment that seems a tad on the harsh side considering that the sisters are mean rather than actually evil or cruel. The illustrations feature elongated, attenuated figures with indistinct, blurry faces that children may find rather inaccessible and off-putting. An interesting, although somewhat cold and flat retelling of the familiar story, this tale will perhaps be of more interest to students comparing versions of archetypal fairy tales than to the children for whom it is intended. (Picture book. 5-8)

Pub Date: Sept. 14, 2000

ISBN: 0-374-32247-3

Page Count: 32

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2000

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VOTE!

After the sorry example of the 2000 presidential election, it’s good to be reminded of the simple beauty—and hard-won right—of voting for a candidate. And Christelow goes farther in this primer on the process of electing a candidate. Simple language, gay color, and humorous subplots make for an appealing introduction to electoral politics, and she wisely complements her somewhat dry explanatory text with a typically funny word-bubble story of one woman’s mayoral campaign. Readers learn about political parties and polls, voter registration, to be wary of campaign advertising, the right to recounts, and are urged to conduct research into the candidates. There’s also a very handy timeline of voting rights that conveys the eye-opening evolution of democracy in the US. Impressively, Christelow gives to each individual vote a sense of importance—an act of participation that nestles in the heart of democracy. (Picture book. 5-8)

Pub Date: Aug. 18, 2003

ISBN: 0-618-24754-8

Page Count: 48

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2003

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CELEBRATE KWANZAA

WITH CANDLES, COMMUNITY, AND THE FRUITS OF THE HARVEST

From the Holidays Around the World series

A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for.

An overview of the modern African-American holiday.

This book arrives at a time when black people in the United States have had intraracial—some serious, some snarky—conversations about Kwanzaa’s relevance nowadays, from its patchwork inspiration that flattens the cultural diversity of the African continent to a single festive story to, relatedly, the earnest blacker-than-thou pretentiousness surrounding it. Both the author and consultant Keith A. Mayes take great pains—and in painfully simplistic language—to provide a context that attempts to refute the internal arguments as much as it informs its intended audience. In fact, Mayes says in the endnotes that young people are Kwanzaa’s “largest audience and most important constituents” and further extends an invitation to all races and ages to join the winter celebration. However, his “young people represent the future” counterpoint—and the book itself—really responds to an echo of an argument, as black communities have moved the conversation out to listen to African communities who critique the holiday’s loose “African-ness” and deep American-ness and moved on to commemorate holidays that have a more historical base in black people’s experiences in the United States, such as Juneteenth. In this context, the explications of Kwanzaa’s principles and symbols and the smattering of accompanying activities feel out of touch.

A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for. (resources, bibliography, glossary, afterword) (Nonfiction. 5-8)

Pub Date: Sept. 5, 2017

ISBN: 978-1-4263-2849-7

Page Count: 40

Publisher: National Geographic Kids

Review Posted Online: Oct. 27, 2017

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