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Songs of Seraphina

Full of family secrets, mysteries, time travel, deities, and more, this work delivers a bold, richly realized tale from a...

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Three sisters discover truths about their family that they never imagined in this debut fantasy novel.

Teenage sisters Charlemagne, Cairo, and Pendragon (“Penny”) Agonistes are devastated when their mother, Athene, disappears. Their father is so emotionally unequipped to cope with the loss that he decides his daughters should leave America and live with their grandparents in England. Upon arriving across the pond, they discover that their family is even more eccentric than they realized. To begin with, their grandmother and grandfather like to be referred to as the Ogg and Gaffer. Then, shortly after the sisters arrive, their two hosts take the girls to a wake for someone they didn’t even know, which is filled with strange people performing bizarre customs. They involve Charlemagne in one of the rituals, during which she seems to slip out of her body and wake up as a different person—a Lady of Serendip—in a different time and place, the magical land of Seraphina. She lives an entire life in the span of a few minutes before coming back to herself at the party. Her sisters then have similar experiences, and Cairo is later hunted by two anachronistic mythical beings called Hamquist and Crakes, who are the cause of Athene’s vanishing. Although the novel makes use of a number of familiar fantasy tropes, it blends them in a fresh and exciting way that rarely feels less than utterly original. One of the story’s central conflicts regarding the goddess of Seraphina, who may not be as beneficent as she seems, is particularly intriguing. Houghton’s prose is similarly strong. The narrative explores the sisters’ attributes (“Penny was the cleverest of the sisters. Too clever, Charlemagne sometimes worried. It distanced her from people her own age and she didn’t have many friends to begin with”). And while the characters aren’t as three-dimensional as they could be, the book’s world is brought to life so vividly that a reader rarely notices this as a major flaw, particularly because the sisters’ bond is depicted with such authenticity and love.

Full of family secrets, mysteries, time travel, deities, and more, this work delivers a bold, richly realized tale from a promising new author.

Pub Date: June 27, 2015

ISBN: 978-1-909845-94-7

Page Count: 384

Publisher: Tenebris

Review Posted Online: Aug. 15, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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