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Songs of Seraphina

Full of family secrets, mysteries, time travel, deities, and more, this work delivers a bold, richly realized tale from a...

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Three sisters discover truths about their family that they never imagined in this debut fantasy novel.

Teenage sisters Charlemagne, Cairo, and Pendragon (“Penny”) Agonistes are devastated when their mother, Athene, disappears. Their father is so emotionally unequipped to cope with the loss that he decides his daughters should leave America and live with their grandparents in England. Upon arriving across the pond, they discover that their family is even more eccentric than they realized. To begin with, their grandmother and grandfather like to be referred to as the Ogg and Gaffer. Then, shortly after the sisters arrive, their two hosts take the girls to a wake for someone they didn’t even know, which is filled with strange people performing bizarre customs. They involve Charlemagne in one of the rituals, during which she seems to slip out of her body and wake up as a different person—a Lady of Serendip—in a different time and place, the magical land of Seraphina. She lives an entire life in the span of a few minutes before coming back to herself at the party. Her sisters then have similar experiences, and Cairo is later hunted by two anachronistic mythical beings called Hamquist and Crakes, who are the cause of Athene’s vanishing. Although the novel makes use of a number of familiar fantasy tropes, it blends them in a fresh and exciting way that rarely feels less than utterly original. One of the story’s central conflicts regarding the goddess of Seraphina, who may not be as beneficent as she seems, is particularly intriguing. Houghton’s prose is similarly strong. The narrative explores the sisters’ attributes (“Penny was the cleverest of the sisters. Too clever, Charlemagne sometimes worried. It distanced her from people her own age and she didn’t have many friends to begin with”). And while the characters aren’t as three-dimensional as they could be, the book’s world is brought to life so vividly that a reader rarely notices this as a major flaw, particularly because the sisters’ bond is depicted with such authenticity and love.

Full of family secrets, mysteries, time travel, deities, and more, this work delivers a bold, richly realized tale from a promising new author.

Pub Date: June 27, 2015

ISBN: 978-1-909845-94-7

Page Count: 384

Publisher: Tenebris

Review Posted Online: Aug. 15, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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