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Autonomy

An immersive novel that chillingly predicts a world in which life is something to be escaped rather than experienced.

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Houghton (Songs of Seraphina, 2015) explores the difference between living and surviving in this sci-fi thriller.

In the wake of a global climate catastrophe, a new world government re-establishes order as a single nation called the Autonomy. However, this order comes at a price, as the majority of the world’s citizens are simply considered “unit[s] of production.” Workers toil endlessly to create iNet glasses, devices that allow even the lowliest grunt to escape their lives through virtual-reality simulations. The glasses also provide access to the “Faith,” a religion that promises “points” toward salvation in exchange for worldly suffering. Rebellions rise in opposition to the government’s ever tightening control, and many citizens find themselves willing or unwilling participants in the deadly conflict. Pasco Eborgersen, a gambler with ties to the highest level of government, and Balmoral Murraine, an iNet savant from one of the poorest Sectors of the Autonomy, become unlikely allies. They learn secrets that could either save their world or destroy it and that there are people in power who would kill to see that information buried. Although the timeline of Houghton’s novel is somewhat unrealistic—the world goes from utter collapse to an Orwellian government to a rebellion within a span of roughly 30 years—the future society that the author creates is compelling. He gives ample attention to details of the new world’s structure, such as the jellyfish-and-insect-based “skaatch” that serves as the main food product and the commodified social order in which children are named by corporations. The Autonomy exists as a heightened version of the current First World/Third World system, strikingly juxtaposing the ravages of Sector 2 and 3 against the plump privilege of Sector 1. The concept of a gamified religion taps into a cultural obsession with instant gratification and validation while also emphasizing the performative nature of faith. However, Houghton’s attention to detail doesn’t overshadow the novel’s emotional resonance.

An immersive novel that chillingly predicts a world in which life is something to be escaped rather than experienced.

Pub Date: July 31, 2016

ISBN: 978-1-909845-48-0

Page Count: 468

Publisher: Kristell Ink

Review Posted Online: Aug. 15, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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