Well-drawn characters and startling turns of phrase distinguish this soapy, suspenseful start of a trilogy.
Suicide devastates both a prosperous Canadian and a Nigerian family in this first novel from filmmaker, playwright, and short story writer Idada (A Box of Chocolates, 2013, etc.).
After discovering her husband’s infidelities, Annabelle Sciorra dons her wedding dress and commits suicide by hanging herself. Her husband, Andrew, is in the midst of one such tryst when he receives news of her death, which sends him into an immediate fugue state. Thanks to the diamond trade, the Sciorra clan is one of the five wealthiest families in Canada. Now their fortune is vulnerable to the scheming Timothy Vinelatter, a sociopathic businessman who’s stolen the heart of Therese, Andrew and Annabelle’s only daughter. Luckily, Phillip Neri, Andrew’s loyal personal assistant, sees past Timothy’s facade. The two men wage war over Andrew’s reputation in a series of power plays that involves a powerful Canadian newspaper editor, a malicious private investigator, and one of Andrew’s mistresses. Idada intersperses the Sciorra saga with the story of Nigeria’s Eweka family. After his street-smart, troubled older son, Osasu, robs him of his business, Ibude Eweka commits suicide by gassing himself with “the noxious fumes” of his car’s exhaust pipe. His grief-stricken younger son, Nosa, promptly heads to Canada to track down his brother; Osasu, meanwhile, conspires to steal the Sciorra family fortune by romancing Angela Di Canio, the late Annabelle’s assistant. Although the Osasu and Nosa passages add a welcome dash of social realism—particularly those concerning the latter’s immigrant struggles in Canada—they nonetheless seem tangential to the Sciorra theatrics that dominate the majority of the narrative. That said, the connections between the two families deepen by the book’s end, and as this book is the first entry of a proposed trilogy, those bonds will likely strengthen in subsequent volumes. For now, Idada, like a patient chess player, slowly ratchets up the tension with his compelling cat-and-mouse games. He also writes occasionally haunting prose, as in an early image of Annabelle’s deceased body as slack “like a marionette at rest.”
Well-drawn characters and startling turns of phrase distinguish this soapy, suspenseful start of a trilogy.Pub Date: Feb. 11, 2015
ISBN: 978-1501080562
Page Count: 410
Publisher: CreateSpace
Review Posted Online: April 23, 2015
Review Program: Kirkus Indie
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
An addictive psychological thriller.
When a mysterious novel appears on her bedside table, a successful documentary filmmaker finds herself face to face with a secret that threatens to unravel life as she knows it.
Catherine Ravenscroft has built a dream life, or close to it: the devoted husband, the house in London, the award-winning career as a documentary filmmaker. And though she’s never quite bonded with her 25-year-old son the way she’d hoped, he’s doing fine—there are worse things than being an electronics salesman. But when she stumbles across a sinister novel called The Perfect Stranger—no one’s quite sure how it came into the house—Catherine sees herself in its pages, living out scenes from her past she’d hoped to forget. It’s a threat—but from whom? And why now, 20 years after the fact? Meanwhile, Stephen Brigstocke, a retired teacher, widowed and in pain, is desperate to exact revenge on Catherine and make her pay for what happened all those years ago. The story is told in alternating chapters, Catherine's in the third-person and Stephen's in the first, as the two orbit each other, predator and prey, and the novel moves between the past and the present to paint a portrait of two troubled families with trauma bubbling under the surface. As their lives become increasingly entangled, Stephen’s obsession grows, Catherine’s world crumbles, and it becomes clear that—in true thriller form—everything may not be as it seems. But how much destruction must be wrought before the truth comes out? And when it does, will there be anything left to salvage? While the long buildup to the big reveal begins to drag, Knight’s elegant plot and compelling (if not unexpected) characters keep the heart of the novel beating even when the pacing falters. Atmospheric and twisting and ripe for TV adaptation, this debut novel never strays far from convention, but that doesn’t make it any less of a page-turner.
An addictive psychological thriller.Pub Date: May 19, 2015
ISBN: 978-0-06-236225-4
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: March 1, 2015
Kirkus Reviews Issue: March 15, 2015
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
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