Emotional, doom-tinged and spooky, with two deeply flawed heroines.
In this romantic thriller, mysterious convergences link two lives separated by 100 years.
In 1996, after her reputation, marriage, career as a TV journalist, and relationship with her adult son, Chad, are trashed, Morgan Reed starts over in Milltown, Pa., a village in beautiful Bucks County. She feels drawn there, particularly to the 200-year-old former rectory that she buys. In 1895, Evangeline Laury, minister’s wife and mother to a small boy, feels stifled in provincial Milltown. She misses the cultured life she’d led in Philadelphia and her painting, especially when she learns that a local American impressionist, the charismatic Daniel Duvall, is giving lessons. As Morgan, with the help of her handsome but mercurial neighbor Victor, works on a documentary about 1895 Milltown, she uncovers more spooky parallels between her life and Evangeline’s. Both women, desperate for love and connection, are guiltily caught between competing attractions and responsibilities, whether for a husband, lover, child or work, and both women will experience the tragic death of someone close. In her debut novel, Barton writes lush descriptions of beauty and desire, with interesting historical details, many of which seem borrowed from real-life American impressionist painter Daniel Garber and his Bucks County studio at Cuttalossa Farm. (Black-and-white historical photos in the book go uncredited.) Though the narrative works to account for Morgan’s needy self-pity and Evangeline’s blind desire, readers might feel less sympathy than the writer intends, especially since other characters pay the ultimate price for the women’s culpability. In particular, deeply emotional Evangeline’s self-punishing guilt becomes internal melodrama. When Victor very reasonably objects to involving sullen, hard-drinking Chad on the documentary project, it’s a welcome moment of sensibleness: “It is not my problem to save your son.”
Emotional, doom-tinged and spooky, with two deeply flawed heroines.Pub Date: June 21, 2013
ISBN: 978-0615687421
Page Count: 394
Publisher: Blue Heron Press
Review Posted Online: July 31, 2013
Kirkus Reviews Issue: Sept. 15, 2013
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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