Emotional, doom-tinged and spooky, with two deeply flawed heroines.
In this romantic thriller, mysterious convergences link two lives separated by 100 years.
In 1996, after her reputation, marriage, career as a TV journalist, and relationship with her adult son, Chad, are trashed, Morgan Reed starts over in Milltown, Pa., a village in beautiful Bucks County. She feels drawn there, particularly to the 200-year-old former rectory that she buys. In 1895, Evangeline Laury, minister’s wife and mother to a small boy, feels stifled in provincial Milltown. She misses the cultured life she’d led in Philadelphia and her painting, especially when she learns that a local American impressionist, the charismatic Daniel Duvall, is giving lessons. As Morgan, with the help of her handsome but mercurial neighbor Victor, works on a documentary about 1895 Milltown, she uncovers more spooky parallels between her life and Evangeline’s. Both women, desperate for love and connection, are guiltily caught between competing attractions and responsibilities, whether for a husband, lover, child or work, and both women will experience the tragic death of someone close. In her debut novel, Barton writes lush descriptions of beauty and desire, with interesting historical details, many of which seem borrowed from real-life American impressionist painter Daniel Garber and his Bucks County studio at Cuttalossa Farm. (Black-and-white historical photos in the book go uncredited.) Though the narrative works to account for Morgan’s needy self-pity and Evangeline’s blind desire, readers might feel less sympathy than the writer intends, especially since other characters pay the ultimate price for the women’s culpability. In particular, deeply emotional Evangeline’s self-punishing guilt becomes internal melodrama. When Victor very reasonably objects to involving sullen, hard-drinking Chad on the documentary project, it’s a welcome moment of sensibleness: “It is not my problem to save your son.”
Emotional, doom-tinged and spooky, with two deeply flawed heroines.Pub Date: June 21, 2013
ISBN: 978-0615687421
Page Count: 394
Publisher: Blue Heron Press
Review Posted Online: July 31, 2013
Kirkus Reviews Issue: Sept. 15, 2013
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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