A clever, engaging, and heart-rending tale about a 1907 catastrophe in Appalachia.

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Beyond Monongah

AN APPALACHIAN STORY

A debut historical novel charts the buildup to and aftermath of the worst mining disaster in American history.

Set against the rural backdrop of Appalachia, this story opens in the midst of unthinkable chaos: an underground explosion in a coal mine. With an official death toll of 362, the 1907 Monongah, West Virginia, cataclysm left countless wives widowed and children without fathers. Here the blast is witnessed from ground level. Orie Morris is working in the mine when the accident occurs, while Hershel, his friend since boyhood, is on the surface. Hershel waits desperately with Orie’s wife, Bessie, as rescuers carry the bodies out, including Orie’s. The story skips back to 1896 and the 8-year-old Hershel preparing for his first day of work as a trapper boy, operating a trap door that allows fresh air into the mine shaft. By age 12, he progresses to becoming a mule wrangler and cementing a firm friendship with Orie. The novel chronicles the coming-of-age of the young friends and how a community copes with loss when torn apart by tragedy. Bessie’s character is particularly well-developed, and her plight as a widow exposes prejudices against women of the era. When approaching the relief committee for money after Orie’s death, she finds the funds withheld on “moral” grounds. The fact that she has male boarders in her home proves tantamount to living in sin, and it is her duty to demonstrate otherwise. Similarly, her new boss, Mr. Humphrey, makes sexual advances toward her and then promises to ruin her reputation when she rebukes him. All the while, Hershel remains her rock, although Orie’s memory makes their relationship a complicated one. The writing here is graceful, emotionally intuitive, and thoroughly researched. Hoover expertly captures the essence of family life in the space of a sentence, here describing Orie and Bessie: “She, a tiny woman compared with her large and boisterous husband, loved to sing and loved to laugh, and he joined in the fun, never complaining if dinner was late because she was in the yard throwing a ball with the children.” Such warm tableaux are layered to create a living, breathing community whose pain is palpable and resilience, stirring. This results in fine and powerful work from a skilled historical interpreter that should appeal to American history buffs and romantics alike.

A clever, engaging, and heart-rending tale about a 1907 catastrophe in Appalachia. 

Pub Date: Sept. 8, 2016

ISBN: 978-1-4808-3619-8

Page Count: 254

Publisher: Archway Publishing

Review Posted Online: Oct. 5, 2016

Kirkus Reviews Issue: Nov. 1, 2016

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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ALL THE LIGHT WE CANNOT SEE

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

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