A clever, engaging, and heart-rending tale about a 1907 catastrophe in Appalachia.
A debut historical novel charts the buildup to and aftermath of the worst mining disaster in American history.
Set against the rural backdrop of Appalachia, this story opens in the midst of unthinkable chaos: an underground explosion in a coal mine. With an official death toll of 362, the 1907 Monongah, West Virginia, cataclysm left countless wives widowed and children without fathers. Here the blast is witnessed from ground level. Orie Morris is working in the mine when the accident occurs, while Hershel, his friend since boyhood, is on the surface. Hershel waits desperately with Orie’s wife, Bessie, as rescuers carry the bodies out, including Orie’s. The story skips back to 1896 and the 8-year-old Hershel preparing for his first day of work as a trapper boy, operating a trap door that allows fresh air into the mine shaft. By age 12, he progresses to becoming a mule wrangler and cementing a firm friendship with Orie. The novel chronicles the coming-of-age of the young friends and how a community copes with loss when torn apart by tragedy. Bessie’s character is particularly well-developed, and her plight as a widow exposes prejudices against women of the era. When approaching the relief committee for money after Orie’s death, she finds the funds withheld on “moral” grounds. The fact that she has male boarders in her home proves tantamount to living in sin, and it is her duty to demonstrate otherwise. Similarly, her new boss, Mr. Humphrey, makes sexual advances toward her and then promises to ruin her reputation when she rebukes him. All the while, Hershel remains her rock, although Orie’s memory makes their relationship a complicated one. The writing here is graceful, emotionally intuitive, and thoroughly researched. Hoover expertly captures the essence of family life in the space of a sentence, here describing Orie and Bessie: “She, a tiny woman compared with her large and boisterous husband, loved to sing and loved to laugh, and he joined in the fun, never complaining if dinner was late because she was in the yard throwing a ball with the children.” Such warm tableaux are layered to create a living, breathing community whose pain is palpable and resilience, stirring. This results in fine and powerful work from a skilled historical interpreter that should appeal to American history buffs and romantics alike.
A clever, engaging, and heart-rending tale about a 1907 catastrophe in Appalachia.Pub Date: Sept. 8, 2016
ISBN: 978-1-4808-3619-8
Page Count: 254
Publisher: Archway Publishing
Review Posted Online: Oct. 5, 2016
Kirkus Reviews Issue: Nov. 1, 2016
Review Program: Kirkus Indie
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...
Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.
Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.Pub Date: June 25, 2019
ISBN: 978-0-385-54425-2
Page Count: 544
Publisher: Doubleday
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
SEEN & HEARD
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
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