Predictable, but Kelman’s work is as tight and smart as ever.
Can a New York wife of 28 years enjoy a new life after her insufferable husband leaves her for a younger woman?
Manhattan speech therapist Maggie Strickland is shattered when Harold, a philosophy professor, abandons her for one of his comely graduate students and sues for divorce, employing a prominent law firm cozily known as “Slam Dunk.” Friends like former Mouseketeer Janine Bookman try to boost Maggie’s deflated ego—that is, the ones who haven’t taken Harold’s side or informed her that she’s too needy to be their friend any longer. Depressed and overindulging in ice cream, Maggie gets no help from her family. Daughter Allison is an intimidating yuppie control freak with little time for her bruised mother. Fickle son Brian announces out of the blue that he has married a woman with a small child and aims to help run her cookie business. Mom, who meets Maggie once a week for a tuna-fish-sandwich lunch, is a punishing kvetch and sadist who delights in reminding her daughter what’s wrong with her. Visits to a sympathetic therapist, Rabbi Jennifer, help Maggie sort out her tangled feelings. She valiantly tries dating a man she knew in high school, but Tony Carlucci, refashioned into the very flashy, wealthy Anthony Sinclair, turns out to be uxoriously attached to his estranged wife. Loathsome Harold finally proves too exacting even for his young squeeze, but by this point, Maggie recognizes that she’s far better off without him. In this uncharacteristically lightweight trifle from accomplished suspense novelist Kelman (The Session, 2006, etc.), the one-liners come fast, especially the Yiddish put-downs from Maggie’s over-the-top mother.
Predictable, but Kelman’s work is as tight and smart as ever.Pub Date: Nov. 1, 2006
ISBN: 0-7278-6443-2
Page Count: 256
Publisher: Severn House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2006
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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