Well-wrought female empowerment tale with a dramatic twist ending.

HOME FIRES

In this women’s fiction/thriller novel, Myra Benning contends with a cheating husband who may also have sexually abused their teen daughter.

Myra’s professor husband, Derek, has just confirmed her suspicions that he’s been having affairs with his students. In this tense environment, just after son Peter leaves for college, Myra wakes up to her other child Susan’s screams of “Get him off!” Derek says he was comforting the 14-year-old during her nightmare, yet he also oddly remarks how the girl looked “so beautiful, laying there in the moonlight.” Myra asks Derek to leave and brings in the police and a therapist. The latter concludes that Susan is exhibiting characteristics of having been sexually abused, even if there’s no evidence of penetration. Derek then disappears, and the novel jumps 12 years. Susan, now married to a man met in group therapy, has a new baby. Myra has turned her animal illustrations into a successful cartooning career. Then Susan thinks she’s spotted Derek’s car, and Myra senses her house was broken into. Peter, who never believed his father was an abuser, tells Myra that Derek created a new life in a nearby California town. Derek, who still protests his innocence, tells Myra that he retrieved his birth certificate from her house to deal with his family’s legal matters. Informed that Derek’s stoic, also cheated-upon mother, Eleanor, is dying, Myra, now in a relationship with policeman Randy Larson, agrees to a family reunion at Derek’s family home, where Susan recovers a more complete memory of her abuse, prompting a series of tragic yet revelatory events to unfold. Kirscht (The Inheritors, 2012, etc.), a retired university lecturer, brings grace and flair to this third effort. She quickly establishes Myra, a Minnesota native who has always been a bit insecure in the rather enigmatic Derek’s world, as a sympathetic heroine who must now face up to what she may have been enabling in her marriage. Kirscht also plants just enough seeds in her smooth-flowing narrative so that its rather surprising finale doesn’t seem too far out in left field.

Well-wrought female empowerment tale with a dramatic twist ending.

Pub Date: Dec. 17, 2013

ISBN: 978-1614690436

Page Count: 264

Publisher: New Libri Press

Review Posted Online: Nov. 18, 2014

Kirkus Reviews Issue: Jan. 15, 2015

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

SUMMER ISLAND

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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