Returning to Egypt following her romance based on Alexander the Great's sojourn there (Lord of the Two Lands, 1992), Tarr retells the story of the historical lovers Anthony and Cleopatra and adds a fictional pair, Dione and Lucius. In 41 B.C., following the death of Julius Caesar, the Roman empire is ruled by two men: Octavian, the future Caesar Augustus, claims Italy and the west, while Marc Anthony controls the east. Egypt's Queen Cleopatra, lover of Julius, must choose sides if Egypt is to survive. Summoned by Marc Anthony, Cleopatra makes her decision—the pair become lovers and soul mates, regarding themselves as gods incarnate. Anthony, however, has a Roman wife, who manages to enrage Octavian and thus disgrace Anthony. To mend the breach and prevent outright civil war, Anthony is obliged to wed Octavian's sister despite his passion for Cleopatra. Furious, the queen prepares to blast Anthony by magic and is only dissuaded by her confidante, Dione, a priestess of Isis, herself increasingly involved with the Roman augur Lucius Servilius, one of Anthony's companions. Later, after campaigning in Armenia and Parthia with varying success, Anthony musters Cleopatra's huge navy to challenge Octavian; but Anthony's Roman allies, tiring of Egyptian influences, begin to melt away, and Anthony suffers a disastrous defeat at Actium. Though Cleopatra escapes the debacle, Egyptian resistance collapses, and soon, with Octavian knocking at the gates of Alexandria and Anthony dead, Cleopatra commits suicide by snake bites. Tarr's historical outline is unexceptionable, her wealth of cultural detail impeccable. But again she fails to breathe life into famous characters; nor does she manage to translate all that expertise into anything resembling a compelling narrative.

Pub Date: April 1, 1994

ISBN: 0-312-85363-7

Page Count: 384

Publisher: Forge

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 1994

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An enjoyable, cozy novel that touches on tough topics.


A group of strangers who live near each other in London become fast friends after writing their deepest secrets in a shared notebook.

Julian Jessop, a septuagenarian artist, is bone-crushingly lonely when he starts “The Authenticity Project”—as he titles a slim green notebook—and begins its first handwritten entry questioning how well people know each other in his tiny corner of London. After 15 years on his own mourning the loss of his beloved wife, he begins the project with the aim that whoever finds the little volume when he leaves it in a cafe will share their true self with their own entry and then pass the volume on to a stranger. The second person to share their inner selves in the notebook’s pages is Monica, 37, owner of a failing cafe and a former corporate lawyer who desperately wants to have a baby. From there the story unfolds, as the volume travels to Thailand and back to London, seemingly destined to fall only into the hands of people—an alcoholic drug addict, an Australian tourist, a social media influencer/new mother, etc.—who already live clustered together geographically. This is a glossy tale where difficulties and addictions appear and are overcome, where lies are told and then forgiven, where love is sought and found, and where truths, once spoken, can set you free. Secondary characters, including an interracial gay couple, appear with their own nuanced parts in the story. The message is strong, urging readers to get off their smartphones and social media and live in the real, authentic world—no chain stores or brands allowed here—making friends and forming a real-life community and support network. And is that really a bad thing?

An enjoyable, cozy novel that touches on tough topics.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-7861-8

Page Count: 368

Publisher: Pamela Dorman/Viking

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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A strict report, worthy of sympathy.


A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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