A sinuous, overstuffed reflection on living with a hoarder.
One woman's struggle to find her identity after growing up in a hoarder family.
From an early age, Batalion, a former comedian and art curator, knew there was something odd about her mother and the way she kept buying things and never throwing anything away. Yet, the moldering cans of tuna, the insect-infested flour, the piles of clothing, papers, telephones, fax machines, and every trinket imaginable felt like home, even if they threatened to overwhelm her. “When mom slept,” she writes, “the house could breathe. The walls exhaled, the roof slumped.” Ultimately, Batalion craved peace, order, and minimalism, things she could only begin to find when she finally left home and began her adult life. Told in often overwhelming detail, as if she's hoarding each event and word, the author traces her life story from early childhood, when she suffered from colitis, to her college years, when she experimented with various fashion styles and sex, to her unexpected rise to motherhood. She meanders through her family's Jewish heritage, bringing in memories of her Bubbie and of her mother's increasing paranoia and threats of suicide, juxtaposing them against her struggles to find herself amid her increasing obsessive-compulsive behaviors. The writing is dense, fraught with anxiety, and jumps back and forth in time, leaving readers with a bit of the bloat, as if there's too much information provided without a clear narrative line. Although Batalion tries to show how her connections to her grandmother, mother, and daughter have influenced her life, the circuitous route she takes leaves us wondering just what it is that she's trying to say. However, the descriptions of life in a hoarder home leave nothing to the imagination, making this a good read for those who may wonder if they have a hoarder in their midst.
A sinuous, overstuffed reflection on living with a hoarder.Pub Date: Jan. 5, 2016
ISBN: 978-0-451-47311-0
Page Count: 352
Publisher: NAL
Review Posted Online: Nov. 11, 2015
Kirkus Reviews Issue: Nov. 15, 2015
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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