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WHITE WALLS

A MEMOIR ABOUT MOTHERHOOD, DAUGHTERHOOD, AND THE MESS IN BETWEEN

A sinuous, overstuffed reflection on living with a hoarder.

One woman's struggle to find her identity after growing up in a hoarder family.

From an early age, Batalion, a former comedian and art curator, knew there was something odd about her mother and the way she kept buying things and never throwing anything away. Yet, the moldering cans of tuna, the insect-infested flour, the piles of clothing, papers, telephones, fax machines, and every trinket imaginable felt like home, even if they threatened to overwhelm her. “When mom slept,” she writes, “the house could breathe. The walls exhaled, the roof slumped.” Ultimately, Batalion craved peace, order, and minimalism, things she could only begin to find when she finally left home and began her adult life. Told in often overwhelming detail, as if she's hoarding each event and word, the author traces her life story from early childhood, when she suffered from colitis, to her college years, when she experimented with various fashion styles and sex, to her unexpected rise to motherhood. She meanders through her family's Jewish heritage, bringing in memories of her Bubbie and of her mother's increasing paranoia and threats of suicide, juxtaposing them against her struggles to find herself amid her increasing obsessive-compulsive behaviors. The writing is dense, fraught with anxiety, and jumps back and forth in time, leaving readers with a bit of the bloat, as if there's too much information provided without a clear narrative line. Although Batalion tries to show how her connections to her grandmother, mother, and daughter have influenced her life, the circuitous route she takes leaves us wondering just what it is that she's trying to say. However, the descriptions of life in a hoarder home leave nothing to the imagination, making this a good read for those who may wonder if they have a hoarder in their midst.

A sinuous, overstuffed reflection on living with a hoarder.

Pub Date: Jan. 5, 2016

ISBN: 978-0-451-47311-0

Page Count: 352

Publisher: NAL

Review Posted Online: Nov. 11, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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