An unapologetic examination of the life of an artist dedicated to following her passions.
A new autobiographical work from the renowned American feminist artist.
Chicago (b. 1939) explores her life and career from the perspective of a female artist in a male-dominated art world. In addition to countless personal and professional details, this book also includes vivid full-color photographs of her work and a foreword by Gloria Steinem, who writes that Chicago “spent her life not only inventing Feminist Art, but inventing a feminist way of creating art.” The author opens with details of her early childhood, attributing her strong sense of self to her father’s encouragement and interactions with her. Initially, Chicago’s matter-of-fact tone and self-praising comments make her words feel cold. However, as she begins discussing her time spent teaching the Feminist Art Program at Fresno State College, aimed to empower future female artists, her tone warms, and her passionate personality emerges. Like many women artists, Chicago’s experiences have taught her that she has to fight marginalization in the art world. As she chronicles her rise in an arena controlled by men, she also explores the genesis of the works that stemmed from those experiences. The author shows how her art was often received poorly, seemingly due to her depictions of the female experience and form in a graphic manner. She explains many of her major works, including The Dinner Party, the Birth Project, and the Holocaust Project, the challenges she faced during the creation of each, and the reception each received. Fortunately, as Chicago notes, the public perception of her work has shifted with time; she was recently named one of the 100 most influential people in the world by Time magazine. Additionally, works of hers that were once criticized or dismissed are finding new and receptive audiences. Overall, Chicago’s narrative speaks to the power of persistence and remaining true to yourself, especially important in the art world.
An unapologetic examination of the life of an artist dedicated to following her passions.Pub Date: July 20, 2021
ISBN: 978-0-500-09438-9
Page Count: 416
Publisher: Thames & Hudson
Review Posted Online: May 20, 2021
Kirkus Reviews Issue: June 15, 2021
BOOK REVIEW
BOOK REVIEW
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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