A compelling read for fans of Collins and/or those confronting their own addictive behavior.
The famed recording artist recalls her past struggles with overeating and alcoholism.
In her latest memoir, Collins (Sweet Judy Blue Eyes: My Life in Music, 2011, etc.) treads some familiar territory covered in her previous books, referencing love affairs with Stephen Stills and others, her many musical triumphs, and the devastating impact of her son’s suicide. More urgently, the author focuses on her addictions, specifically her long-standing ones with excessive alcohol and food consumption. The chapters cover specific decades of her life up through the 1980s, as Collins highlights the trajectory of her accomplishments in relation to the course of her illness and extreme forms of indulgence: several bottles of vodka consumed each week, frequent episodes of bingeing and purging. Despite these issues, however, her career continued to soar. “While I was performing my anxieties and fears disappeared; the music gave me peace of mind, the melodies and lyrics gave me wings,” she writes. “And the pain of the increase in my drinking and the growing evidence that I had a problem with food did not seem to impact my career.” She alternates her recovery story with biographical sketches of renowned diet and nutrition authorities such as Robert Atkins, Andrew Weil, Jean Nidtech, and Adelle Davis along with notable historical figures such as English Romantic poet Lord Byron, who also confronted an extreme eating disorder. For the most part, Collins is a graceful writer. In a memoir that is equal parts confessional drama and inspirational self-help book, she shares an engaging tale and provides some meaningful information for readers who may be struggling with similar issues. However, the alternating structure often feels contrived and may lead readers to question whether she was seeking ways to stretch her own narrative or perhaps had two books in mind.
A compelling read for fans of Collins and/or those confronting their own addictive behavior.Pub Date: Feb. 28, 2017
ISBN: 978-0-385-54131-2
Page Count: 288
Publisher: Nan A. Talese
Review Posted Online: Nov. 14, 2016
Kirkus Reviews Issue: Dec. 1, 2016
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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